“Stop to see this powerful Expressionist nude, where bold color and stark lines capture a figure's intense gaze and raw vulnerability, challenging traditional notions of beauty and intimacy.”
In this striking portrait, a nude figure, identified as Doris Große, reclines on a bed, her body rendered with a raw, almost angular energy. The painting captures a moment of intimate vulnerability, yet the figure's direct gaze outwards suggests a defiance or self-possession. The vibrant, almost clashing colors and bold outlines are characteristic of Expressionism, a movement that sought to convey emotional experience rather than objective reality. This work was painted in 1909, a pivotal year for the German Expressionist group Die Brücke, which Kirchner co-founded. The group often depicted the nude in natural settings or intimate interiors, challenging conventional academic styles and embracing a more direct, uninhibited approach to art and life. Große was a favored model for Kirchner during this period, appearing in many of his works from 1906 to 1911.
- Artist
- Ernst Ludwig Kirchner
- Date
- 1909
- Medium
- Oil on canvas
- Location
- Albertina
What to Notice
Five details hide in plain sight. Here’s where to look.

The figure's intense, unsmiling gaze directly at the viewer.
The bold, almost jagged lines defining the figure's form.
The flattened perspective and vibrant, non-naturalistic skin tones.
The contrast between the figure's raw depiction and the domestic setting.
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Ernst Ludwig Kirchner
1880–1938 · German ReichErnst Ludwig Kirchner, a founder of the revolutionary Die Brücke group, reshaped German art with his raw, emotional Expressionist vision.
Further Works by Kirchner
NUDE AT THE MIRROR
Nackter Jüngling und Mädchen am Strand
1913 · Albertina
Zwei Akte im Raum
1914 · Albertina
Frauenkopf vor Sonnenblumen
1906 · Museum Frieder Burda
Wrestlers in a Circus
1909 · Cleveland Museum of Art
Blue Girl in the Sun
1910
Pfortensteg Chemnitz
1910 · Museum Frieder Burda
Burg on Fehmarn
1912 · Westphalian State Museum of Art and Cultural History
More from Die Brucke
More works to explore
Beyond Kirchner and Die Brucke: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Streetcar
Mikhail Larionov · 1911 · Bashkir State Art Museum (Nesterov Museum)
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum

