Tête-á-Tête

Edvard Munch, 1894

MEDIUMDrypoint with etching and burnishing; second state of three (Woll)
DIMENSIONSPlate: 8 11/16 × 12 15/16 in. (22 × 32.9 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONDrawings and Prints
CREDIT LINEBequest of Scofield Thayer, 1982

This striking print by Edvard Munch, a master of Symbolism and Expressionism, captures a tense, intimate moment between two figures, inviting contemplation on human connection and isolation. It's a classic example of his psychological depth.

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ABOUT THIS WORK

Edvard Munch's "Tête-á-Tête" from 1894 is a powerful example of the Norwegian artist's exploration of human emotion and psychological states, themes central to both Symbolism and Expressionism, movements with which he is closely associated. Created using drypoint with etching and burnishing, this print captures a moment of intense, perhaps strained, interaction between two figures. Munch, known for iconic works like "The Scream" and "Madonna," frequently depicted scenes of anxiety, isolation, and interpersonal drama. Here, the stark lines and the intimate yet ambiguous setting invite viewers to ponder the nature of the conversation, or lack thereof, between the man and woman. The second state of three, this print demonstrates Munch's mastery of graphic techniques to convey mood and atmosphere, a skill evident across his diverse body of work which also includes paintings such as "The Girl by the Window" and "Two Women on the Shore."

ART MOVEMENTS
ExpressionismSymbolism
LOOK CLOSER

What to Notice

1

The intense, direct gaze of the figures.

2

The stark, angular lines of the drypoint technique.

3

The dark, brooding atmosphere of the setting.

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Audio Deep Dive

This striking print by Edvard Munch, a master of Symbolism and Expressionism, captures a tense, intimate moment between two figures, inviting contemplation on…

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THE ARTIST
Edvard Munch 1863–1944 · Norway

Norwegian painter whose 1893 work The Scream became one of Western art's most iconic images.

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