“This early work by Mikhail Larionov captures a vivid, everyday scene with an intensity that foreshadows his later avant-garde experiments, showing his shift towards a uniquely Russian, Neo-primitive style.”
A man in a striped shirt, presumably the barber, leans over his client, whose face is turned away from us. The scene is intimate, almost claustrophobic, with the figures filling the canvas. Larionov's brushwork here is loose and expressive, capturing the energy of the moment rather than precise detail. This painting, made in 1907, shows the artist moving beyond Impressionism, which he had explored just a few years earlier. He was beginning to experiment with a more robust, almost Neo-primitive style, drawing inspiration from Russian sign painting and folk art. This approach gives the figures a solid, grounded presence, reflecting a broader turn in Russian art towards indigenous forms and away from purely Western influences. The vibrant color palette and simplified forms contribute to the painting's powerful, direct appeal.
- Artist
- Mikhail Larionov
- Date
- 1907
- Medium
- Oil on canvas
- Location
- Russian Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

The barber's intense gaze, focused on his task.
The client's ear, a striking detail in the foreground.
The bold, contrasting stripes on the barber's shirt.
The simplified, almost sculptural quality of the figures.
1 more detail is waiting.
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Mikhail Larionov
1881–1964 · Russian EmpirePioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
Further Works by Larionov
Still Life with Crayfish
1900 · Museum Ludwig
Portrait of Natalia Goncharova
1903
Female Passerby
1911 · Ulyanovsk Oblast Art Museum
Red and Blue Rayonism (Beach)
1911 · Museum Ludwig
Soldier on a Horse
1911 · Tate
Streetcar
1911 · Bashkir State Art Museum (Nesterov Museum)
Glass
1912 · Solomon R. Guggenheim Museum
Jewish Venus
1912 · Ekaterinburg Museum of Fine Arts
More from Der Blaue Reiter
More works to explore
Beyond Larionov and Der Blaue Reiter: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Nude with a Pitcher
Pablo Picasso · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Still Life with Geranium
Henri Matisse · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art

