“Stop to consider this monumental work, which evolved over nearly a decade. Its stark figures and abstracted landscape reveal a dramatic shift in the artist's style, possibly influenced by the anxieties of World War I.”
Four monumental, stone-colored figures stand by a river, their forms simplified and columnar against a stark, vertically striped background. This massive canvas, begun in 1909 as a pastoral scene, underwent a dramatic transformation over nearly a decade, culminating in its completion during the tumultuous years of World War I. What began as an idyllic vision of leisure evolved into a more severe, almost abstract composition, reflecting a departure from its original commission for a Russian collector. The once blue river has become a thick black band, and the lush foliage condensed, creating a sense of gravity and perhaps even danger. The painting's restricted palette and severely abstracted forms mark a pivotal shift in the artist's style, moving away from earlier lyrical works toward a bolder simplification of form.
- Artist
- Henri Matisse
- Date
- 1909
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 260 × 392 cm (102 1/2 × 154 3/16 in.)
- Collection
- Modern Art
- Culture
- France
- Credit line
- Charles H. and Mary F. S. Worcester Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The four figures: are they separate women or one woman seen from different angles?
The dark, vertical band in the center, once a blue river, now a stark line.
The way the figures' heads are faceless and ovoid, almost like ancient statues.
The stark vertical bands of green, black, white, and gray in the background.
1 more detail is waiting.
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Henri Matisse
1869–1954 · FranceHenri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.
Further Works by Matisse
Still Life with Geranium
1906 · Art Institute of Chicago
Apples
1916 · Art Institute of Chicago
Laurette with a Cup of Coffee
1916 · Art Institute of Chicago
Interior at Nice
1919 · Art Institute of Chicago
Woman before an Aquarium
1921 · Art Institute of Chicago
Woman on Rose Divan
1921 · Art Institute of Chicago
Lemons on a Pewter Plate
1926 · Art Institute of Chicago
Daisies
1939 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Bathers by a River belongs to.
Same movement · Fauvism
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Impressionism
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1890s–1920s
Female Nude (Dodo)
Ernst Ludwig Kirchner · 1909 · Albertina
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1890s–1920s
Red and Blue Rayonism (Beach)
Mikhail Larionov · 1911 · Museum Ludwig
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same movement · Neo-Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same movement · Impressionism
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
