Seated Woman in Corset and Boots by Egon Schiele

Seated Woman in Corset and Boots

Egon Schiele · 1918

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“Stop to observe the raw intensity of this drawing, where the woman's direct gaze and contorted posture challenge traditional representations, capturing a powerful emotional state through bold lines and stark composition.”

ABOUT THIS WORK

A woman sits, her body contorted and exposed, in this stark crayon drawing from 1918. Her gaze meets ours directly, a mix of defiance and vulnerability. She wears only a tightly laced corset and high boots, a bold choice that emphasizes her angular limbs and the raw sensuality of the pose. The lines are sharp and deliberate, typical of Expressionism, a movement that sought to convey emotional experience rather than objective reality. The artist, Egon Schiele, created this work in the final year of his life, a period marked by intense introspection and a continued exploration of the human form. The starkness of the paper, left largely bare, focuses all attention on the figure, making her presence immediate and unsettling. This work captures a moment of challenging intimacy, inviting us to confront the complexities of the sitter's emotional state.

DETAILS
Artist
Egon Schiele
Date
1918
Medium
Crayon on paper
Location
The Metropolitan Museum of Art
Dimensions
19 3/4 x 12 7/8 in. (50.2 x 32.7 cm)
Collection
Modern and Contemporary Art
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Seated Woman in Corset and Boots
01

The intense, direct gaze of the woman, meeting your eyes.

02

The sharp, almost jagged lines defining her body and clothing.

03

The way her left arm is bent, creating an acute angle.

04

The intricate lacing of the corset and the tall, dark boots.

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THE ARTIST

Egon Schiele

1890–1918 · Cisleithania

Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.

Read Schiele’s full story
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More works to explore

Beyond Schiele and Expressionism: works from the same years, and from the other movements Seated Woman in Corset and Boots belongs to.

Maude Adams (1872–1953) as Joan of Arc Same movement · Vienna Secession Maude Adams (1872–1953) as Joan of Arc Alphonse Mucha · 1909 · The Metropolitan Museum of Art Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1900s–1930s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same movement · Die Brucke Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda Railway Bridge on Löbtauer Strasse in Dresden Same era · 1900s–1930s Railway Bridge on Löbtauer Strasse in Dresden Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister Still Life with Crayfish Same movement · Der Blaue Reiter Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Bull's Head Same era · 1900s–1930s Bull's Head Mikhail Larionov · 1913 · Tretyakov Gallery Portrait of a Lady in a High Hat Same movement · Jugendstil Portrait of a Lady in a High Hat Gustav Klimt · 1882 · Art Institute of Chicago The Lineman Same era · 1900s–1930s The Lineman Ivan Puni · 1927 · Art Institute of Chicago
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