“Stop to observe the raw intensity of this drawing, where the woman's direct gaze and contorted posture challenge traditional representations, capturing a powerful emotional state through bold lines and stark composition.”
A woman sits, her body contorted and exposed, in this stark crayon drawing from 1918. Her gaze meets ours directly, a mix of defiance and vulnerability. She wears only a tightly laced corset and high boots, a bold choice that emphasizes her angular limbs and the raw sensuality of the pose. The lines are sharp and deliberate, typical of Expressionism, a movement that sought to convey emotional experience rather than objective reality. The artist, Egon Schiele, created this work in the final year of his life, a period marked by intense introspection and a continued exploration of the human form. The starkness of the paper, left largely bare, focuses all attention on the figure, making her presence immediate and unsettling. This work captures a moment of challenging intimacy, inviting us to confront the complexities of the sitter's emotional state.
- Artist
- Egon Schiele
- Date
- 1918
- Medium
- Crayon on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 19 3/4 x 12 7/8 in. (50.2 x 32.7 cm)
- Collection
- Modern and Contemporary Art
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Five details hide in plain sight. Here’s where to look.

The intense, direct gaze of the woman, meeting your eyes.
The sharp, almost jagged lines defining her body and clothing.
The way her left arm is bent, creating an acute angle.
The intricate lacing of the corset and the tall, dark boots.
1 more detail is waiting.
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Egon Schiele
1890–1918 · CisleithaniaEgon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Further Works by Schiele
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
1914 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Seminude with Arms Raised
1914 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond Schiele and Expressionism: works from the same years, and from the other movements Seated Woman in Corset and Boots belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1900s–1930s
Railway Bridge on Löbtauer Strasse in Dresden
Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Interior at Nice
Henri Matisse · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Boy with Baby Carriage
Norman Rockwell · 1916 · Norman Rockwell Museum
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago




