“This powerful charcoal drawing captures a moment of quiet introspection, its stark lines and vulnerable pose characteristic of Expressionism and created in the final year of the artist's life.”
A young woman sits, her left knee pulled up to her chest and clasped by her hands, in this charcoal drawing from 1918. Her gaze is directed downward, away from the viewer, giving the scene a sense of introspection or vulnerability. The stark lines of charcoal emphasize the angularity of her pose and the lean contours of her body, a hallmark of Expressionism. Schiele created this work in the final year of his life, a period marked by both the ongoing First World War and the devastating Spanish Flu pandemic. The raw, unvarnished quality of the drawing, with its visible lines and minimal shading, allows the figure's emotional state to emerge powerfully, inviting a quiet contemplation of her solitude.
- Artist
- Egon Schiele
- Date
- 1918
- Medium
- Charcoal on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 18 1/4 × 11 3/4 in. (46.4 × 29.8 cm)
- Collection
- Modern and Contemporary Art
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Four details hide in plain sight. Here’s where to look.

The visible charcoal lines, especially around the knees and arms.
The way her hands tightly clasp her knee.
Her downcast eyes and slightly parted lips.
The subtle shading that defines her collarbones and ribs.
Stand in front of it and listen
The full narration walks you through Seated Nude Girl Clasping Her Left Knee — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Egon Schiele
1890–1918 · CisleithaniaEgon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Further Works by Schiele
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
1914 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Seminude with Arms Raised
1914 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond Schiele and Expressionism: works from the same years, and from the other movements Seated Nude Girl Clasping Her Left Knee belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1900s–1930s
Railway Bridge on Löbtauer Strasse in Dresden
Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Interior at Nice
Henri Matisse · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Boy with Baby Carriage
Norman Rockwell · 1916 · Norman Rockwell Museum
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago




