“Stop and look at the raw intensity of this charcoal drawing. The artist uses stark lines to capture a reclining figure with an unsettling directness, revealing a powerful emotional charge through the body's pose and expression.”
A woman reclines, her body angled sharply on the paper, her skirt pushed up to reveal her legs and torso. Her right arm extends towards the viewer, hand open, while her left arm bends behind her head. Schiele’s charcoal lines are stark and immediate, capturing a sense of vulnerability and unease. The figure's gauntness and the almost skeletal quality of her limbs are characteristic of the Expressionist movement, which sought to convey inner emotional states rather than objective reality. The raw, unvarnished depiction of the human form, often with a sense of psychological tension, was central to much of the art created in Vienna during this period. This drawing, made in the final year of Schiele's life, offers a direct, unflinching gaze at the subject, a hallmark of his approach to the figure.
- Artist
- Egon Schiele
- Date
- 1918
- Medium
- Charcoal on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 18 1/8 x 11 5/8 in. (46 x 29.5 cm)
- Collection
- Modern and Contemporary Art
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the charcoal lines define the contours of the body with stark precision.
The raised skirt, revealing the full length of her legs.
Her right hand, splayed open towards the viewer.
The almost skeletal quality of her ribs and collarbone.
1 more detail is waiting.
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Egon Schiele
1890–1918 · CisleithaniaEgon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.
Further Works by Schiele
Crouching Nude in Shoes and Black Stockings, Back View
1912 · The Metropolitan Museum of Art
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
1914 · The Metropolitan Museum of Art
Street Cart
1914 · The Metropolitan Museum of Art
Seated Woman, Back View
1917 · The Metropolitan Museum of Art
Standing Girl, Back View
1908 · The Metropolitan Museum of Art
Observed in a Dream
1911 · The Metropolitan Museum of Art
Seated Woman in Chemise
1914 · The Metropolitan Museum of Art
Seminude with Arms Raised
1914 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond Schiele and Expressionism: works from the same years, and from the other movements Reclining Woman with Raised Skirt belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Die Brucke
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1900s–1930s
Railway Bridge on Löbtauer Strasse in Dresden
Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister
Same movement · Der Blaue Reiter
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same movement · Jugendstil
Portrait of a Lady in a High Hat
Gustav Klimt · 1882 · Art Institute of Chicago
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Interior at Nice
Henri Matisse · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Boy with Baby Carriage
Norman Rockwell · 1916 · Norman Rockwell Museum
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1900s–1930s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago




