Reclining Nude with Boots by Egon Schiele

Reclining Nude with Boots

Egon Schiele · 1918

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“Stop to observe the unsettling directness of this reclining figure. Her intense gaze and the unexpected detail of her boots create a powerful and vulnerable portrait drawn with stark, expressive lines.”

ABOUT THIS WORK

A figure reclines here, not in a pose of classical grace, but with an unsettling directness. The woman lies on her side, her body contorted slightly, one arm bent behind her head, the other resting on her thigh. She stares out with an unreadable expression, her gaze meeting ours. Her boots remain on, a detail that adds a jarring note to the otherwise exposed form, hinting at a narrative beyond simple repose. This charcoal drawing, created in the final year of Egon Schiele's life, captures the raw intensity and expressive line characteristic of his work. The starkness of the charcoal on paper emphasizes the angularity of her limbs and the vulnerability of her posture, making the viewer acutely aware of her presence.

DETAILS
Artist
Egon Schiele
Date
1918
Medium
Charcoal on paper
Location
The Metropolitan Museum of Art
Dimensions
18 1/4 × 11 5/8 in. (46.4 × 29.5 cm)
Collection
Modern and Contemporary Art
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Reclining Nude with Boots
01

The way her body twists, creating sharp angles in her limbs.

02

Her direct, unwavering gaze that meets the viewer's eyes.

03

The incongruity of her boots remaining on while otherwise nude.

04

The stark, expressive lines of charcoal defining her form.

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THE ARTIST

Egon Schiele

1890–1918 · Cisleithania

Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.

Read Schiele’s full story
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Beyond Schiele and Expressionism: works from the same years, and from the other movements Reclining Nude with Boots belongs to.

Maude Adams (1872–1953) as Joan of Arc Same movement · Vienna Secession Maude Adams (1872–1953) as Joan of Arc Alphonse Mucha · 1909 · The Metropolitan Museum of Art Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1900s–1930s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same movement · Die Brucke Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda Railway Bridge on Löbtauer Strasse in Dresden Same era · 1900s–1930s Railway Bridge on Löbtauer Strasse in Dresden Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister Still Life with Crayfish Same movement · Der Blaue Reiter Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Bull's Head Same era · 1900s–1930s Bull's Head Mikhail Larionov · 1913 · Tretyakov Gallery Portrait of a Lady in a High Hat Same movement · Jugendstil Portrait of a Lady in a High Hat Gustav Klimt · 1882 · Art Institute of Chicago The Lineman Same era · 1900s–1930s The Lineman Ivan Puni · 1927 · Art Institute of Chicago
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