“Stop to consider the subtle details in this painting, from the woman's gold ring to the carefully arranged poses, which hint at unseen stories and relationships. It’s a late work by Paul Gauguin, painted in 1901, reflecting his deep engagement with Polynesian subjects.”
In this painting, a Polynesian woman stands with two children, their gazes directed outward, creating a quiet yet compelling scene. The central woman wears a gold ring, a subtle detail that, along with the red mark on the girl's hand, invites curiosity about their relationships and identities. Gauguin carefully arranged the figures, even reworking the woman's hands to align diagonally with the young girl behind her. This deliberate compositional choice forms an upward axis, a visual path that is further reinforced by the presence of the cat, an element added later by the artist. Painted in 1901, towards the end of his life, this work reflects Gauguin's ongoing fascination with the people and landscapes of the South Pacific, a theme he explored extensively during his time in Tahiti and the Marquesas Islands.
- Artist
- Paul Gauguin
- Date
- 1901
- Medium
- Oil on linen canvas
- Location
- Art Institute of Chicago
- Dimensions
- 97 × 74 cm (38 3/16 × 29 1/8 in.); Framed: 111.2 × 88.3 × 5.8 cm (43 3/4 × 34 3/4 × 2 1/4 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- France
- Credit line
- Helen Birch Bartlett Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The diagonal alignment of the woman's and girl's hands.
The gold ring on the woman's finger.
The red mark on the young girl's hand.
The small cat, positioned to reinforce the upward axis.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Polynesian Woman with Children — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
Two Tahitian Women in a Landscape
1887 · Art Institute of Chicago
Arlésiennes (Mistral)
1888 · Art Institute of Chicago
Woman in Front of a Still Life by Cezanne
1890 · Art Institute of Chicago
Te raau rahi (The Big Tree)
1891 · Art Institute of Chicago
Te burao (The Hibiscus Tree)
1892 · Art Institute of Chicago
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
1893 · Art Institute of Chicago
Aha oe feii? (What! Are You Jealous?)
1894 · Art Institute of Chicago
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Polynesian Woman with Children belongs to.
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1880s–1910s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1880s–1910s
Haystacks, Morning, Eragny
Camille Pissarro · 1899 · The Metropolitan Museum of Art
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1880s–1910s
Mademoiselle Nys
Henri de Toulouse-Lautrec · 1899 · The Metropolitan Museum of Art
Same movement · Post-Impressionism
Composition (No. 1) Gray-Red
Piet Mondrian · 1935 · Art Institute of Chicago
Same era · 1880s–1910s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1880s–1910s
Woman with a Helmet of Hair
Pablo Picasso · 1904 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1880s–1910s
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1880s–1910s
Maternal Caress
Mary Cassatt · 1896 · Philadelphia Museum of Art




