Jane Morris: Study for "Mariana" by Dante Gabriel Rossetti

Jane Morris: Study for "Mariana"

Dante Gabriel Rossetti · 1868

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“Stop to appreciate this large-scale chalk study of Jane Morris, a key figure in the Pre-Raphaelite movement. Her intense gaze and flowing hair capture the essence of a woman lost in thought, a powerful preparation for a major painting.”

ABOUT THIS WORK

In this striking chalk drawing, Jane Morris, a frequent muse for the Pre-Raphaelite Brotherhood, is depicted with a powerful, almost melancholic gaze. Her voluminous hair, a signature element of the Pre-Raphaelite aesthetic, cascades around her, creating a dense, dark frame for her face. This work is a study for a larger painting, "Mariana," which draws inspiration from Shakespeare's "Measure for Measure." Here, the focus is entirely on Morris's expression and posture, capturing the pensive solitude of a woman waiting. The four butt-joined sheets of paper, visible upon close inspection, highlight the scale and ambition of the preparatory drawing, allowing for a life-sized study of the figure before committing to paint. The use of red, brown, off-white, and black chalk on tan paper lends a rich, earthy tone, emphasizing the naturalistic yet idealized portrayal.

DETAILS
Artist
Dante Gabriel Rossetti
Date
1868
Medium
Red, brown, off-white and black chalk on tan paper; four sheets butt-joined (and slightly tented)
Location
The Metropolitan Museum of Art
Dimensions
sheet: 35 3/4 x 30 3/4 in. (90.8 x 78.1 cm)
Collection
Drawings and Prints
Credit line
Gift of Jessie Lemont Trausil, 1947
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Jane Morris: Study for "Mariana"

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01

Pale blue eyes

Find the pale blue eyes and the set red lips in her face. They are the coolest note in a warm picture, and her sideways gaze feels guarded and rather sad.

1 of 4 on the painting
02

Sculpted hair and neck

The thick waves of hair, gathered into a loose roll, and the long pale neck are drawn with great care. The tall curve of the neck gives her an elegant, statuesque look.

2 of 4 on the painting
03

The sprig in her hands

She holds a thin leafy sprig, with her fingers curled loosely around the stem. The relaxed grip and downcast mood suit a study for Mariana, the waiting woman from Shakespeare's Measure for Measure.

3 of 4 on the painting
04

Roses in the glass vase

In the upper right, pale roses fade into the dark wall, and one fallen bloom lies on the ledge below the vase. Their softness contrasts with her firm face.

4 of 4 on the painting
05Whole painting

Chalk in three tones

Nearly everything is built from red-brown chalk, with off-white used for highlights and touches of black and brown. The limited palette gives the whole sheet a warm, glowing tone.

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THE ARTIST

Dante Gabriel Rossetti

1828–1882 · United Kingdom of Great Britain and Ireland

Dante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."

Read Rossetti’s full story
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More works to explore

Beyond Rossetti and Symbolism: works from the same years, and from the other movements Jane Morris: Study for "Mariana" belongs to.

The Backgammon Players Same movement · Arts and Crafts movement The Backgammon Players Philip Webb · 1861 · The Metropolitan Museum of Art Barks Fleeing Before the Storm Same era · 1850s–1880s Barks Fleeing Before the Storm Léon-Victor Dupré · 1870 · Art Institute of Chicago Fear Same movement · Aestheticism Fear Odilon Redon · 1866 · Cleveland Museum of Art Paris Street; Rainy Day Same era · 1850s–1880s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago Trellis Same movement · Arts and Crafts movement Trellis William Morris · 1864 · The Metropolitan Museum of Art On the Bank of the Seine, Bennecourt Same era · 1850s–1880s On the Bank of the Seine, Bennecourt Claude Monet · 1868 · Art Institute of Chicago Hagar and Ishmael, from "Dalziels' Bible Gallery" Same movement · Aestheticism Hagar and Ishmael, from "Dalziels' Bible Gallery" Simeon Solomon · 1863 · The Metropolitan Museum of Art The Portico of the Church of San Ginés, Madrid Same era · 1850s–1880s The Portico of the Church of San Ginés, Madrid Mariano Fortuny Marsal · 1868 · Hispanic Society of America
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