“Stop and admire this striking design for a ceramic piece from a leading 19th-century pottery firm. The bold colors and elegant profile offer a window into Victorian decorative arts.”
This vibrant gouache design, titled "Christy," offers a glimpse into the creative process behind mid-19th century ceramics. The artwork depicts a woman's head in profile, her hair elegantly styled with a decorative comb, set against a rich, deep blue background. This is not a finished portrait but a working drawing, likely intended as a motif for a ceramic piece. The bold use of gouache, an opaque watercolor, allows for the strong, saturated colors and crisp lines visible here, mimicking the smooth, glazed surface of porcelain. It was created by Samuel Alcock & Company, a prominent Staffordshire pottery manufacturer known for its decorative wares. The piece reflects the era's taste for classical profiles and ornamental details, translating high art into accessible domestic objects.
- Artist
- Samuel Alcock & Company
- Date
- 1845
- Medium
- Gouache
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 13 x 9 5/8 in. (33 x 24.5 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956
What to Notice
Four details hide in plain sight. Here’s where to look.

The crisp profile of the woman's face and neck
The delicate, almost sculptural detail of her hair comb
The intense, uniform blue of the background
The fine lines defining her features
Stand in front of it and listen
The full narration walks you through Lettered title: Christy — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Alcock & Company
Samuel Alcock & Company, a prominent British business, was renowned for its intricate ceramic designs, particularly elegant cups and tureens, in the mid-19th century.
Further Works by Company
An Elegant Company
1632 · Art Institute of Chicago
Mr. James Mackie
1830 · Art Institute of Chicago
Old Tower at Avignon
1875 · Art Institute of Chicago
Lord Lyndhurst
1824 · The Metropolitan Museum of Art
The Early Ploughman
1856 · Art Institute of Chicago
Designs for Tureens and a Platter
1845 · The Metropolitan Museum of Art
Designs for Two Tureens and a Plate
1845 · The Metropolitan Museum of Art
Nine Designs for Decorated Plates
1845 · The Metropolitan Museum of Art
More works to explore
Beyond Company: works from the same years.
Same era · 1830s–1860s
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Same era · 1830s–1860s
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Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Porträt der Elizaveta Mazurina Vladimirona
Vasily Andreevich Tropinin · 1844
