Burning Weeds by Vincent van Gogh

Burning Weeds

Vincent van Gogh · 1883

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“This early Van Gogh lithograph offers a rare glimpse into his formative years, depicting the quiet, smoky toil of rural life with a stark realism that predates his iconic colorful canvases. It's a powerful portrayal of human labor against a vast, open landscape.”

ABOUT THIS WORK

In "Burning Weeds," a lone figure toils in a field, the smoke from burning vegetation curling into the sky. This early work by Vincent van Gogh, created in 1883, captures a moment of arduous rural labor. The scene is rendered with a stark immediacy, reflecting the artist's focus on the lives of peasants and the harsh realities of their daily existence. The rough, almost raw quality of the lithograph emphasizes the earthiness of the subject, far removed from the vibrant colors and swirling brushstrokes that would characterize his later, more famous paintings. Here, the focus is on the elemental struggle between humanity and nature, a theme Van Gogh explored extensively in his early Dutch period. The controlled lines and dense shading create a sense of weight and gravity, drawing the viewer into the quiet, smoky atmosphere of the field.

DETAILS
Artist
Vincent van Gogh
Date
1883
Medium
Transfer lithograph with pen and ink
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 7 1/4 × 11 9/16 in. (18.4 × 29.3 cm)
Collection
Drawings and Prints
Credit line
Purchase, Fletcher Fund, William R. Drexler Sr. and Violet Drexler Bequest, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and The Derald H. Ruttenberg Foundation, in honor of Nadine M. Orenstein and Charles and Jessie Price Gifts, 2021
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Burning Weeds

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01

The bending digger

Look at the man bent almost double over his spade in the center. His curved back and heavy boots make the effort of the work feel physical.

1 of 5 on the painting
02

Woman resting on a barrow

On the left, a woman in a headcloth and long coat sits in a wheelbarrow with her hand raised to her face. Her slumped pose reads as tired or lost in thought, a quiet pause beside the man's effort.

2 of 5 on the painting
03

Sparks at the spade

Short, radiating lines flicker around the spade blade and the man's feet. They may suggest flying earth or rising smoke, and they link the digging to the burning.

3 of 5 on the painting
04

Distant figure with rake

Far to the right, a small figure stands holding a long rake beside thin wisps of smoke. Easy to miss, but this is the burning of weeds the title names.

4 of 5 on the painting
05

Stony, scratchy ground

The foreground is built from dense little marks and blocky shapes that read as clods and stones. The rough texture makes the soil feel hard to break.

5 of 5 on the painting
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THE ARTIST

Vincent van Gogh

1853–1890 · Kingdom of the Netherlands

Vincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.

Read van Gogh’s full story
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More works to explore

Beyond van Gogh and Expressionism: works from the same years, and from the other movements Burning Weeds belongs to.

Albert (René) Grenier (1858–1925) Same movement · Post-Impressionism Albert (René) Grenier (1858–1925) Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art Madame Léon Clapisson Same era · 1860s–1890s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago The Seine at Pont de Grenelle Same movement · Post-Impressionism The Seine at Pont de Grenelle Paul Gauguin · 1875 · Wallraf–Richartz Museum A Sunday on La Grande Jatte — 1884 Same era · 1860s–1890s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago Gustave Boyer (b. 1840) in a Straw Hat Same movement · Post-Impressionism Gustave Boyer (b. 1840) in a Straw Hat Paul Cézanne · 1870 · The Metropolitan Museum of Art Paris Street; Rainy Day Same era · 1860s–1890s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Lucie Berard (Child in White) Same era · 1860s–1890s Lucie Berard (Child in White) Pierre-Auguste Renoir · 1883 · Art Institute of Chicago
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