The resting face
Find the pink face tilted against her hand. The eyes and brows are a few quick black lines, and her expression reads as calm, maybe a little guarded.

“This striking portrait of a girl with a guitar showcases Henri Matisse's mastery of color and form, with bold hues and simplified shapes creating a powerful visual impact. It's a testament to his continued exploration of modern art in the late 1930s.”
A young woman, poised with a guitar, fills this canvas with an almost sculptural presence. Her yellow blouse and blue skirt are rendered with broad, confident strokes, creating a vibrant contrast against the patterned backdrop. The simple lines and bold colors here reflect a period in the artist's career when he was exploring a bolder simplification of form, moving away from the more relaxed style of the 1920s. The painting's history is notably complex; it was confiscated from its owner, Paul Rosenberg, by the Einsatzstab Reichsleiter Rosenberg during World War II, before being restituted and eventually finding its way to the Art Institute of Chicago. This work, painted in 1939, captures a moment of quiet contemplation, inviting viewers to appreciate the interplay of color and form.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Find the pink face tilted against her hand. The eyes and brows are a few quick black lines, and her expression reads as calm, maybe a little guarded.
The pale orange guitar sits at the lower right, outlined in red, with the sound hole drawn as a loose ring. It rests upright beside her and is not being played.
Follow the thick black strokes down the blue skirt. They fold the fabric and flatten it into shapes, like drawing done with a loaded brush.
Black vertical bars run down the blue wall at left. Their steady rhythm contrasts with the curved chair back and the sweeping folds of the skirt.
Yellow, blue and red meet in big flat areas. The blue dress sits against red floor and chair, so the figure feels solid and vivid.
The full narration walks you through Girl in Yellow and Blue with Guitar — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Henri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.
Still Life with Geranium
1906 · Art Institute of Chicago
Bathers by a River
1909 · Art Institute of Chicago
Apples
1916 · Art Institute of Chicago
Laurette with a Cup of Coffee
1916 · Art Institute of Chicago
Interior at Nice
1919 · Art Institute of Chicago
Woman before an Aquarium
1921 · Art Institute of Chicago
Woman on Rose Divan
1921 · Art Institute of Chicago
Lemons on a Pewter Plate
1926 · Art Institute of Chicago
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Girl in Yellow and Blue with Guitar belongs to.
Same movement · Fauvism
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1920s–1950s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same movement · Impressionism
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1920s–1950s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same movement · Neo-Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1920s–1950s
Red No. 2
Sam Francis · 1954 · Art Institute of Chicago
Same movement · Impressionism
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1920s–1950s
Untitled (Dream of Venus) formerly Visions of Eternity
Salvador Dalí · 1939 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1920s–1950s
Dancing Girl
Paul Klee · 1940 · Art Institute of Chicago
Same era · 1920s–1950s
La durée poignardée (Time Transfixed)
René Magritte · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
Spanish Physician
Max Ernst · 1940 · Art Institute of Chicago