“Stop to appreciate this intimate pastel portrait of Isabelle Lemonnier. Her direct gaze and the artist's lively use of pastel capture a vibrant moment of modern life in 1878, making her feel remarkably present.”
A young woman gazes directly out at us, her expression a mix of confidence and a hint of a smile. This portrait of Isabelle Lemonnier, painted in 1878, captures her with a vibrant immediacy, thanks to the pastel medium. Notice the soft, almost luminous quality of her skin and the way her dark hair frames her face. The artist, a pivotal figure in the transition from Realism to Impressionism, uses the pastel to create a sense of spontaneity and life, making the strokes visible and energetic, particularly in the details of her dress and the background. Lemonnier was the sister-in-law of Manet's close friend, the composer Emmanuel Chabrier, and she was a frequent subject for him during this period. The informal pose and direct gaze invite a personal connection, characteristic of the modern approach to portraiture emerging in late 19th-century Paris.
- Artist
- Édouard Manet
- Date
- 1878
- Medium
- Pastel on canvas
- Location
- Metropolitan Museum of Art
What to Notice
Five details hide in plain sight. Here’s where to look.

The visible strokes of pastel, especially in her dress and background.
The subtle blush on her cheeks and the light catching her eyes.
The way her dark hair contrasts with her pale skin.
The delicate lace detail at her neckline.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Mademoiselle Isabelle Lemonnier (1857–1926) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Édouard Manet
1832–1883 · FranceScandalous modernist who shocked Paris by painting everyday life and became the reluctant father of Impressionism.
Further Works by Manet
Boating
1874 · Metropolitan Museum of Art
Beggar with a Duffle Coat (Philosopher)
1864 · Art Institute of Chicago
Beggar with Oysters (Philosopher)
1864 · Art Institute of Chicago
Fish (Still Life)
1864 · Art Institute of Chicago
Sea View, Calm Weather (Vue de mer, temps calme)
1864 · Art Institute of Chicago
Jesus Mocked by the Soldiers
1865 · Art Institute of Chicago
Boy with Pitcher (La Régalade)
1866 · Art Institute of Chicago
The Races at Longchamp
1866 · Art Institute of Chicago
More from Impressionism
More works to explore
Beyond Manet and Impressionism: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Fan Mount: The Cabbage Gatherers
Camille Pissarro · 1878 · Metropolitan Museum of Art
Same era · 1860s–1890s
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Arrival of the Normandy Train, Gare Saint-Lazare
Claude Monet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
Edgar Degas · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at Her Toilette
Berthe Morisot · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago




