Semi-Dressed Model by Egon Schiele

Semi-Dressed Model

Egon Schiele · 1917

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“This charcoal drawing captures a model in a moment of raw vulnerability, using stark lines to convey intense emotion and the psychological depth characteristic of Expressionism.”

ABOUT THIS WORK

A young woman, likely a professional model, sits with her head tilted back, her eyes closed, and her mouth slightly agape in this striking charcoal drawing from 1917. She is only partially clothed, with a skirt draped around her waist and her torso exposed. The stark lines of charcoal emphasize the angularity of her body, particularly her shoulders and collarbones, giving her a fragile appearance. Her right arm is raised, with her hand resting on her head, drawing attention to the delicate curve of her neck. The raw immediacy of the drawing, with its visible marks and unblended strokes, captures a moment of vulnerability and introspection. This work exemplifies the Expressionist movement's focus on conveying emotion and psychological states through distorted forms and intense lines, rather than idealized beauty.

DETAILS
Artist
Egon Schiele
Date
1917
Medium
Charcoal on paper
Location
The Metropolitan Museum of Art
Dimensions
18 1/8 × 11 1/2 in. (46 × 29.2 cm)
Collection
Modern and Contemporary Art
Credit line
Bequest of Scofield Thayer, 1982
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Semi-Dressed Model
01

The sharp, almost jagged lines of her shoulders and collarbones.

02

Her closed eyes and slightly open mouth suggest a moment of reverie.

03

The way her right arm frames her face and neck.

04

The visible charcoal strokes, revealing the drawing process.

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THE ARTIST

Egon Schiele

1890–1918 · Cisleithania

Egon Schiele, an Austrian Expressionist, captured raw human emotion and twisted forms, often in stark self-portraits.

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EXPLORE THE MOVEMENT

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More works to explore

Beyond Schiele and Expressionism: works from the same years, and from the other movements Semi-Dressed Model belongs to.

Maude Adams (1872–1953) as Joan of Arc Same movement · Vienna Secession Maude Adams (1872–1953) as Joan of Arc Alphonse Mucha · 1909 · The Metropolitan Museum of Art Lozenge Composition with Yellow, Black, Blue, Red, and Gray Same era · 1900s–1930s Lozenge Composition with Yellow, Black, Blue, Red, and Gray Piet Mondrian · 1921 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same movement · Die Brucke Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda Railway Bridge on Löbtauer Strasse in Dresden Same era · 1900s–1930s Railway Bridge on Löbtauer Strasse in Dresden Ernst Ludwig Kirchner · 1918 · Galerie Neue Meister Still Life with Crayfish Same movement · Der Blaue Reiter Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Bull's Head Same era · 1900s–1930s Bull's Head Mikhail Larionov · 1913 · Tretyakov Gallery Portrait of a Lady in a High Hat Same movement · Jugendstil Portrait of a Lady in a High Hat Gustav Klimt · 1882 · Art Institute of Chicago The Lineman Same era · 1900s–1930s The Lineman Ivan Puni · 1927 · Art Institute of Chicago
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