“Stop and look closely at this tiny, peculiar portrait. Salvador Dalí depicts his wife, Gala, with two raw lamb chops impossibly balanced on her shoulder, a striking example of surrealist wit and meticulous detail on an unexpected surface.”
A woman's profile, starkly outlined against a muted background, dominates this small, unusual portrait. Two raw lamb chops, precariously balanced on her right shoulder, introduce a jarring, surreal element. The woman is Gala, the artist's wife and muse, depicted with a quiet intensity that contrasts sharply with the absurdity of her meaty adornment. This work, rendered in India ink on a painted olive-wood block, showcases a meticulous draftsmanship on an unconventional surface. The choice of material and the miniature scale (only 6.8 by 8.7 centimeters) invite a close, intimate viewing, drawing attention to the delicate lines and the strange juxtaposition of the organic and the mundane. It captures a moment of unsettling equilibrium, both literally with the chops, and metaphorically in its blend of classical portraiture with a distinctly surrealist sensibility.
- Artist
- Salvador Dalí
- Date
- 1934
- Medium
- India ink on painted olive-wood block
- Location
- Art Institute of Chicago
- Dimensions
- 6.8 × 8.7 × 1.9 cm (2 11/16 × 3 7/16 × 3/4 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The two raw lamb chops balanced on Gala's shoulder.
The precise India ink lines on the olive-wood block.
Gala's intense, unsmiling profile.
The small, intimate scale of the entire artwork.
1 more detail is waiting.
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Salvador Dalí
1904–1989 · SpainDalí painted melting clocks and dream logic with the precision of an Old Master — then became the most famous eccentric alive.
Further Works by Dalí
Untitled (Desert Landscape)
1934 · Art Institute of Chicago
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
1936 · Art Institute of Chicago
Inventions of the Monsters
1937 · Art Institute of Chicago
Untitled (Dream of Venus) formerly Visions of Eternity
1939 · Art Institute of Chicago
Gala
1931 · Dalí Theatre and Museum
City of Drawers
1936 · Art Institute of Chicago
Venus de Milo with Drawers
1936 · Art Institute of Chicago
The Image Disappears
1938 · Art Institute of Chicago
More from Surrealism
More works to explore
Beyond Dalí and Surrealism: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1910s–1940s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago




