“Stop to consider this striking drawing where a human-like figure is made entirely of open drawers, a powerful visual metaphor for the hidden and exposed aspects of the human psyche, rendered with meticulous detail.”
In this graphite drawing, a desolate landscape stretches under a stormy sky, dominated by a towering, architectural figure. Its body is composed entirely of open drawers, a recurring motif in the artist's work from this period. The figure, a kind of anthropomorphic cabinet, stands on a flat, barren plain, its head a small, featureless sphere. The precise draftsmanship renders each drawer with meticulous detail, creating a sense of both solidity and unsettling transparency. The scene evokes a feeling of psychological exposure, as if the inner workings of a mind have been laid bare for examination. This disquieting imagery, characteristic of the Surrealist movement, invites viewers to ponder the hidden depths and fragmented nature of the subconscious.
- Artist
- Salvador Dalí
- Date
- 1936
- Medium
- Graphite on buff wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 35.2 × 52.2 cm (13 7/8 × 20 9/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The numerous open drawers that form the figure's body
The small, featureless head atop the drawer-figure
The desolate, flat landscape stretching into the distance
The stormy, cloud-filled sky above the scene
1 more detail is waiting.
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Salvador Dalí
1904–1989 · SpainDalí painted melting clocks and dream logic with the precision of an Old Master — then became the most famous eccentric alive.
Further Works by Dalí
Untitled (Desert Landscape)
1934 · Art Institute of Chicago
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
1936 · Art Institute of Chicago
Inventions of the Monsters
1937 · Art Institute of Chicago
Untitled (Dream of Venus) formerly Visions of Eternity
1939 · Art Institute of Chicago
Gala
1931 · Dalí Theatre and Museum
Portrait of Gala with Two Lamb Chops in Equilibrium upon Her Shoulder
1934 · Art Institute of Chicago
Venus de Milo with Drawers
1936 · Art Institute of Chicago
The Image Disappears
1938 · Art Institute of Chicago
More from Surrealism
More works to explore
Beyond Dalí and Surrealism: works from the same years.
Same era · 1920s–1950s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same era · 1920s–1950s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago




