“Stop to unravel this mind-bending drawing where a woman's profile dissolves into a landscape. It's a classic example of surrealism, inviting you to question what you see.”
This ink drawing, "The Image Disappears," presents a striking visual puzzle. At first glance, you might see a woman's profile, her hair flowing, perhaps a classical bust. But look closer, and the contours of her face transform into a surreal landscape: an archway becomes her forehead, a distant building forms her nose, and a figure with an extended arm defines her chin. This unsettling shift between forms is a hallmark of the surrealist movement, which explored the subconscious and dream imagery. Created in 1938, the work reflects the anxieties and psychological complexities prevalent in Europe on the eve of World War II. The delicate lines and subtle shading in ink on ivory paper create a sense of ethereal mystery, inviting viewers to question perception and the nature of reality itself.
- Artist
- Salvador Dalí
- Date
- 1938
- Medium
- Pen and black ink on ivory wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 64.7 × 50.8 cm (25 1/2 × 20 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the woman's hair transforms into a flowing river or path.
A distant building that subtly forms the bridge of her nose.
A small figure with a raised arm that defines the curve of her chin.
The archway in the landscape that becomes the woman's forehead.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The Image Disappears — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Salvador Dalí
1904–1989 · SpainDalí painted melting clocks and dream logic with the precision of an Old Master — then became the most famous eccentric alive.
Further Works by Dalí
Untitled (Desert Landscape)
1934 · Art Institute of Chicago
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
1936 · Art Institute of Chicago
Inventions of the Monsters
1937 · Art Institute of Chicago
Untitled (Dream of Venus) formerly Visions of Eternity
1939 · Art Institute of Chicago
Gala
1931 · Dalí Theatre and Museum
Portrait of Gala with Two Lamb Chops in Equilibrium upon Her Shoulder
1934 · Art Institute of Chicago
City of Drawers
1936 · Art Institute of Chicago
Venus de Milo with Drawers
1936 · Art Institute of Chicago
More from Surrealism
More works to explore
Beyond Dalí and Surrealism: works from the same years.
Same era · 1920s–1950s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same era · 1920s–1950s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
La durée poignardée (Time Transfixed)
René Magritte · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
Still Life with Fruits and Stringed Instrument
Georges Braque · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
Girl in Yellow and Blue with Guitar
Henri Matisse · 1939 · Art Institute of Chicago
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago




