“This captivating portrait of Sylvette David exemplifies Picasso's ability to blend simplified forms with a strong sense of personality, creating a timeless image with a modern sensibility.”
In this striking portrait, Sylvette David, a young woman Picasso met in Vallauris, France, is depicted with a distinctive ponytail, her face rendered in a profile that flattens and simplifies her features. The painting captures her youthful energy through bold, almost graphic lines and a limited palette of black, white, and a warm ochre. Her gaze is directed away from the viewer, suggesting a moment of contemplation or perhaps a slight reticence. This work, created in 1954, showcases a fusion of naturalistic observation with the artist's characteristic geometric abstraction, a style he revisited and evolved throughout his long career. The simplicity of the background draws all attention to Sylvette herself, emphasizing her unique hairstyle and the elegant curve of her neck.
- Artist
- Pablo Picasso
- Date
- 1954
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 130.7 × 97.2 cm (51 7/16 × 38 1/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The sharp, angular lines defining her profile and the planes of her face.
The distinctive high ponytail, a signature look of Sylvette David.
The limited color palette of black, white, and ochre.
The way her right eye is depicted in profile, almost like an Egyptian carving.
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Pablo Picasso
1881–1973 · SpainPablo Picasso, the Spanish painter who co-founded Cubism, revolutionized 20th-century art with a career spanning over 76 years.
Further Works by Picasso
The Old Guitarist
1903 · Art Institute of Chicago
Woman with a Helmet of Hair
1904 · Art Institute of Chicago
Half-Length Female Nude
1906 · Art Institute of Chicago
Nude with a Pitcher
1906 · Art Institute of Chicago
Daniel-Henry Kahnweiler
1910 · Art Institute of Chicago
Man with a Pipe
1915 · Art Institute of Chicago
Abstraction: Background with Blue Cloudy Sky
1930 · Art Institute of Chicago
The Red Armchair
1931 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Picasso and Post-Impressionism: works from the same years, and from the other movements Portrait of Sylvette David belongs to.
Same movement · Cubism
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1930s–1960s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1930s–1960s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1930s–1960s
Deux personnages
Pierre Alechinsky · 1950
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1930s–1960s
Impregnazione
Piero Manzoni · 1958
Same movement · Surrealism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1930s–1960s
Essai
Sam Francis · 1963 · Art Institute of Chicago
Same movement · Cubism
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1930s–1960s
Alka Seltzer
Roy Lichtenstein · 1966 · Art Institute of Chicago
Same era · 1930s–1960s
Portrait of Mary Block
Ivan Puni · 1955 · Art Institute of Chicago
Same era · 1930s–1960s
Woman at the Piano
Philip Evergood · 1955 · Smithsonian American Art Museum
Same era · 1930s–1960s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1930s–1960s
Wheatfield
Georges Braque · 1951 · Art Institute of Chicago
Same era · 1930s–1960s
Flag
Jasper Johns · 1958
Same era · 1930s–1960s
The Banquet
René Magritte · 1958 · Art Institute of Chicago
