“Stop to see how Georges Braque, a key figure in modern art, used electrifying color and simplified forms in this early landscape, hinting at the revolutionary changes to come in his work.”
The hills of L'Estaque, a fishing village on the Mediterranean coast of France, rise in a vibrant tapestry of greens, blues, and oranges in this painting. Georges Braque, then in his early twenties, captures the landscape with a bold, almost aggressive use of color, typical of the Fauvist movement he was exploring around 1906. Notice how the trees and houses are simplified into broad, flat planes, yet they still retain their recognizable forms. The brushstrokes are visible and energetic, giving the entire scene a lively, pulsating quality. This work is a vivid example of Braque's early experimentation with color and form, laying groundwork for later artistic developments.
- Artist
- Georges Braque
- Date
- 1906
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The bright orange roofs of the houses nestled among the green trees.
The deep blue of the sky and the sea, almost merging at the horizon.
The visible, energetic brushstrokes that build up the forms.
The way the hills appear flattened, almost like cut-out shapes.
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Georges Braque
1882–1963 · FranceCo-invented Cubism with Picasso, creating works so similar experts couldn't tell them apart for years.
Further Works by Braque
Antwerp
1906 · Art Institute of Chicago
Little Harbor in Normandy
1909 · Art Institute of Chicago
Still Life with Glass, Dice, Newspaper and Playing Card
1913 · Art Institute of Chicago
Woman at an Easel (Green Screen)
1936 · Art Institute of Chicago
Still Life with Fruits and Stringed Instrument
1938 · Art Institute of Chicago
Wheatfield
1951 · Art Institute of Chicago
More from Cubism
More works to explore
Beyond Braque and Cubism: works from the same years, and from the other movements Landscape at L'Estaque belongs to.
Same movement · Fauvism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same era · 1890s–1920s
Half-Length Female Nude
Pablo Picasso · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Still Life with Geranium
Henri Matisse · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art


