“Stop to witness the dramatic tension of an "Approaching Storm." This painting captures the exquisite, fleeting beauty of a landscape just before a downpour, where sunlight still pierces through heavy clouds.”
A dramatic sky dominates William Hart's "Approaching Storm," its heavy clouds gathering over a tranquil, sunlit landscape. The painting captures that fleeting moment just before a downpour, where light still breaks through the gloom, illuminating a distant field and the placid water in the foreground. This contrast between the impending darkness and the lingering brightness creates a powerful sense of anticipation. Hart, an artist associated with the Hudson River School, often focused on landscapes that evoked a particular mood or atmospheric effect. Here, he masterfully uses light and shadow to transform a familiar scene into a contemplation of nature's shifting power, inviting viewers to pause and consider the beauty and tension of this specific, transient moment.
- Artist
- William Hart
- Date
- 1867
- Medium
- Oil on canvas
- Location
- Gilcrease Museum
What to Notice
Four details hide in plain sight. Here’s where to look.

The bright strip of sunlight illuminating the distant field under the dark clouds.
The glassy reflection of the sky and trees in the calm water.
The small figures of cattle grazing peacefully in the middle ground.
The detailed texture of the trees and foliage on the right, still catching the light.
Stand in front of it and listen
The full narration walks you through Approaching Storm — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Hart
1823–1894 · United StatesWilliam Hart, a Scottish-born American landscape and cattle painter, became a prominent figure in the Hudson River School, known for his atmospheric depictions of light and shadow.
Further Works by Hart
Mount Chocorua and Moat Mountain from North Conway
1850
Wordsworth Manor
1852
Birches
1855 · Museum of Fine Arts Boston
Peace and Plenty
1855 · New Britain Museum of American Art
Pools by the Seaside
1861 · Buffalo AKG Art Museum
Mount Madison from the Androscoggin River
1862
Mount Washington from the Intervale
1865
Valley of the Bedford
1865 · Fogg Museum
More works to explore
Beyond Hart: works from the same years.
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Portico of the Church of San Ginés, Madrid
Mariano Fortuny Marsal · 1868 · Hispanic Society of America
Same era · 1850s–1880s
The Races at Longchamp
Édouard Manet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Valley of Les Puits-Noir
Gustave Courbet · 1868 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
