“This painting captures a powerful moment as small boats brace for an approaching storm, showcasing the raw, dramatic forces of nature. The turbulent sky and restless sea create a sense of impending drama.”
A dramatic sky dominates this painting, a vast expanse of roiling clouds that seem to churn with an unseen force. Below, a cluster of small boats, called barks, huddle together on what appears to be a restless sea, their sails furled or struggling against the impending weather. The light, though dim, casts an eerie glow on the water and the distant horizon, hinting at the powerful storm about to break. This sense of impending drama is characteristic of the Barbizon school, a group of French landscape painters who emphasized naturalistic depictions of rural life and the raw power of nature. Here, the focus isn't just on the landscape itself, but on the primal forces at play, creating a scene that feels both immediate and timeless. Léon-Victor Dupré, who was associated with this movement, captures a moment of suspense, where human activity is dwarfed by the grandeur of the natural world.
- Artist
- Léon-Victor Dupré
- Date
- 1870
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 56 × 84.8 cm (22 × 33 3/8 in.); Framed: 91.5 × 120.7 cm (36 × 47 1/2 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- France
- Credit line
- Henry Field Memorial Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the dark, turbulent clouds gathering, especially in the upper left.
Look closely at the small boats, or barks, and how they are tossed by the waves.
Notice the subtle light breaking through the clouds, illuminating parts of the sea.
See the distant, low horizon line, emphasizing the vastness of the sky.
Stand in front of it and listen
The full narration walks you through Barks Fleeing Before the Storm — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Léon-Victor Dupré
1816–1879 · FranceLéon-Victor Dupré, a French landscape painter, followed in his brother Jules's footsteps, capturing the quiet beauty of the French countryside.
Further Works by Dupré
The Estuary Farm
1831 · Art Institute of Chicago
The Cottage by the Roadside, Stormy Sky
1855 · Art Institute of Chicago
Two Boats in a Storm
1870 · Art Institute of Chicago
Chariot Race
1876 · Art Institute of Chicago
Madame Léon Clapisson
1883 · Art Institute of Chicago
On the Road
1856 · Art Institute of Chicago
Alphabet de la Tête
Art Institute of Chicago
Analogía I, (2da. versión)
Art Institute of Chicago
More from Barbizon school
More works to explore
Beyond Dupré and Barbizon school: works from the same years.
Same era · 1850s–1880s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
In the Adirondacks
William Hart · 1870 · Q847508
Same era · 1850s–1880s
Moroccan Horseshoer
Mariano Fortuny Marsal · 1870 · Museu Nacional d'Art de Catalunya
Same era · 1850s–1880s
Snow at Louveciennes
Camille Pissarro · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Little Shepherdess
Jean-François Millet · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1850s–1880s
Apples
Gustave Courbet · 1871 · National Museum of Western Art
Same era · 1850s–1880s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art


