“Stop to see how this painting uses bold, flat colors to create a sense of stability and abstraction, a technique the artist called "ballast." It also carries a remarkable story of wartime confiscation and restitution.”
A vibrant still life, this painting features a prominent vase of daisies on a tabletop, bursting with color against a backdrop of bold, unmodulated fields. The large areas of black, blue, and red reflect a growing interest in abstraction, a formal effect the artist termed "ballast," signifying stability. Created in 1939, just months before France declared war on Germany, this work carries a poignant history. It was first owned by the influential modern art dealer Paul Rosenberg, a Jewish dealer targeted by the Nazis. The painting was among the many works seized from his collection when he was forced to flee France. After the war, it was restituted to Rosenberg, who brought it to his new gallery in New York, a testament to its survival and the resilience of art in tumultuous times.
- Artist
- Henri Matisse
- Date
- 1939
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 92 × 65 cm (36 3/16 × 25 5/8 in.)
- Collection
- Modern Art
- Culture
- France
- Credit line
- Gift of Helen Pauling Donnelley in memory of her parents, Mary Fredericka and Edward George Pauling
What to Notice
Four details hide in plain sight. Here’s where to look.

The stark, flat fields of black, blue, and red behind the vase.
The way the daisies seem to almost float against the background.
The heavy outlines around the vase and tabletop.
The way the colors are applied without blending or modulation.
Stand in front of it and listen
The full narration walks you through Daisies — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Henri Matisse
1869–1954 · FranceHenri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.
Further Works by Matisse
Still Life with Geranium
1906 · Art Institute of Chicago
Bathers by a River
1909 · Art Institute of Chicago
Apples
1916 · Art Institute of Chicago
Laurette with a Cup of Coffee
1916 · Art Institute of Chicago
Interior at Nice
1919 · Art Institute of Chicago
Woman before an Aquarium
1921 · Art Institute of Chicago
Woman on Rose Divan
1921 · Art Institute of Chicago
Lemons on a Pewter Plate
1926 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Daisies belongs to.
Same movement · Fauvism
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1920s–1950s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same movement · Impressionism
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1920s–1950s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same movement · Neo-Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1920s–1950s
Red No. 2
Sam Francis · 1954 · Art Institute of Chicago
Same movement · Impressionism
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1920s–1950s
Untitled (Dream of Venus) formerly Visions of Eternity
Salvador Dalí · 1939 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1920s–1950s
Dancing Girl
Paul Klee · 1940 · Art Institute of Chicago
Same era · 1920s–1950s
La durée poignardée (Time Transfixed)
René Magritte · 1938 · Art Institute of Chicago
Same era · 1920s–1950s
Spanish Physician
Max Ernst · 1940 · Art Institute of Chicago
