DETAILS
- Artist
- Francis Bacon
- Date
- 1929
- Medium
- Gouache, pen and black ink, and black crayon on cream wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 63 × 48.3 cm (24 13/16 × 19 1/16 in.)
ART MOVEMENTS
THE ARTIST
Francis Bacon
1909–1992 · IrelandIrish painter who transformed human figures into raw, distorted forms trapped in geometric cages.
MORE FROM THIS ARTIST
Further Works by Bacon
EXPLORE THE MOVEMENT
More from Expressionism
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More works to explore
Beyond Bacon and Expressionism: works from the same years, and from the other movements Self-Portrait belongs to.
Same movement · Surrealism
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Surrealism
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Into the World There Came a Soul Called Ida
Ivan Puni · 1929 · Art Institute of Chicago
Same movement · Surrealism
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same movement · Surrealism
Death in the Garden (Legend)
Paul Klee · 1919 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same movement · Cubism
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1910s–1940s
Fleeing Ghost
Paul Klee · 1929 · Art Institute of Chicago
Same movement · Cubism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago





