“This painting invites you into a serene rural landscape, capturing the golden light of late afternoon as workers gather hay. It's a beautiful example of Impressionist painting, focusing on light and everyday life.”
In "Haymaking at Éragny," the late afternoon sun casts long, soft shadows across a field where workers are diligently gathering hay. The scene is bathed in a warm, golden light, capturing a quiet moment of rural labor. Pissarro, who had settled in Éragny-sur-Epte in 1884, frequently depicted the agricultural life around his home. Here, he uses a high horizon line, typical of his Impressionist approach, to emphasize the expanse of the field and the rhythmic motion of the figures. The brushwork is loose yet deliberate, building up the texture of the haystacks and the dappled light on the distant trees. This painting reflects a deep engagement with the landscape and the lives of the working people within it, a theme he explored throughout his career.
- Artist
- Camille Pissarro
- Date
- 1892
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the sunlight catches the tops of the haystacks, making them glow.
Look for the small figures in the distance, busy with their tasks.
The subtle variations in green and gold that define the field's texture.
The long, soft shadows stretching from the haystacks, indicating the time of day.
1 more detail is waiting.
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Camille Pissarro
1830–1903 · FranceCamille Pissarro, the Danish-French painter, was a pivotal figure in both Impressionism and Neo-Impressionism, capturing everyday life from Parisian streets to snow-covered villages.
Further Works by Pissarro
The Banks of the Marne in Winter
1866 · Art Institute of Chicago
Snow at Louveciennes
1870 · Art Institute of Chicago
The Crystal Palace
1871 · Art Institute of Chicago
Rabbit Warren at Pontoise, Snow
1879 · Art Institute of Chicago
Young Peasant Having Her Coffee
1881 · Art Institute of Chicago
Woman and Child at the Well
1882 · Art Institute of Chicago
The Place du Havre, Paris
1893 · Art Institute of Chicago
Woman Bathing Her Feet in a Brook
1894 · Art Institute of Chicago
More from Impressionism
More works to explore
Beyond Pissarro and Impressionism: works from the same years, and from the other movements Haymaking at Éragny belongs to.
Same movement · Neo-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
At the Moulin Rouge
Henri de Toulouse-Lautrec · 1892 · Art Institute of Chicago
Same era · 1870s–1900s
Fatata Te Moua (At the Foot of a Mountain)
Paul Gauguin · 1892 · Hermitage Museum
Same era · 1870s–1900s
Stacks of Wheat (End of Summer)
Claude Monet · 1891 · Art Institute of Chicago
Same era · 1870s–1900s
The Child's Bath
Mary Cassatt · 1893 · Art Institute of Chicago
Same era · 1870s–1900s
The Hands
Edvard Munch · 1893 · Munch Museum
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago




