“Step into a hushed 17th-century Dutch interior as a maid delivers a secret love letter. This painting draws you into a deeply personal moment, rich with symbolic clues about romance and domestic life.”
A tied-back curtain pulls us into a private moment: a servant maid hands a letter to her mistress, who holds a cittern, a lute-like instrument, in a gilded interior. The woman's relaxed posture and the maid's knowing glance suggest this isn't just any correspondence, but a love letter. The artist, Johannes Vermeer, uses a strong diagonal in the checkered floor to create a sense of depth, drawing the viewer's eye into the scene. The domestic setting, with its rich blues and golds, speaks to the comfortable life of the Dutch middle class in the 17th century. Yet, beneath the calm surface, symbolic details hint at deeper emotional currents, making this quiet scene resonate with unspoken narratives.
- Artist
- Johannes Vermeer
- Date
- 1668
- Medium
- Oil on canvas
- Location
- Rijksmuseum
What to Notice
Five details hide in plain sight. Here’s where to look.

The tied-back curtain, as if revealing a secret scene.
The cittern held by the woman, a symbol of love and desire.
The slippers near the foreground, another subtle hint at intimacy.
The stormy seascape painting on the wall, possibly reflecting tempestuous love.
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Johannes Vermeer
1632–1675 · Dutch RepublicVermeer painted just 34 known works, yet became one of history's most beloved masters of light.
Further Works by Vermeer
The Little Street
1658 · Rijksmuseum
Christ in the House of Martha and Mary
1650 · Scottish National Gallery
Diana and her Nymphs
1650 · Mauritshuis
The Girl with the Wine Glass
1650 · Herzog Anton Ulrich Museum
Saint Praxedis
1655 · National Museum of Western Art
A Maid Asleep
1656 · The Metropolitan Museum of Art
Young Woman with a Water Pitcher
1657 · The Metropolitan Museum of Art
Girl Reading a Letter at an Open Window
1658 · Staatliche Kunstsammlungen Dresden
More from Baroque
More works to explore
Beyond Vermeer and Baroque: works from the same years, and from the other movements The Love Letter belongs to.
Same movement · Dutch Golden Age painting
Anna van der Aar (born 1576/77, died after 1626)
Frans Hals · 1626 · The Metropolitan Museum of Art
Same era · 1650s–1680s
Portrait of Gerard de Lairesse
Rembrandt · 1663 · The Metropolitan Museum of Art
Same movement · Dutch Golden Age painting
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
Rembrandt · 1626 · The Metropolitan Museum of Art
Same era · 1650s–1680s
Sofia Augusta, 1630-1680, prinsessa av Holstein-Gottorp hertiginna av Anhalt-Zerbst
Salomon Duarte · 1667 · Nationalmuseum
Same era · 1650s–1680s
The Music Lesson
Gerard ter Borch the Younger · 1670 · Art Institute of Chicago
Same era · 1650s–1680s
Resurrection of Christ
Samuel van Hoogstraten · 1665 · Art Institute of Chicago
Same era · 1650s–1680s
Tancred's servant presenting the heart of Guiscard in a golden cup to Guismond
Adriaen van der Werff · 1678 · Fitzwilliam Museum
Same era · 1650s–1680s
The Fall of the Giants
Jacob Jordaens · 1663 · Art Institute of Chicago
Same era · 1650s–1680s
The wedding party
Jan Steen · 1660 · Museum Boijmans Van Beuningen
Same era · 1650s–1680s
Bouquet of flowers in a glass vase
Jan van Kessel the Elder · 1659 · Suermondt-Ludwig-Museum
Same era · 1650s–1680s
Portrait of Edouard Molé
Robert Nanteuil · 1653 · Art Institute of Chicago
Same era · 1650s–1680s
Still-Life with Hunting Equipment and Dead Birds
Willem van Aelst · 1668 · Staatliche Kunsthalle Karlsruhe
Same era · 1650s–1680s
Wolf
Jan van Os · 1655 · Art Institute of Chicago




