Anna van der Aar (born 1576/77, died after 1626) by Frans Hals

Anna van der Aar (born 1576/77, died after 1626)

Frans Hals · 1626

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“Stop and look at this striking portrait of Anna van der Aar. Her direct gaze and the artist's energetic brushwork bring her to life, offering a glimpse into the personality of a 17th-century Dutch woman.”

ABOUT THIS WORK

Anna van der Aar, depicted here in a small but vibrant portrait, gazes out with a direct, almost challenging expression. Her face is framed by a starched white ruff and a dark cap, typical attire for a woman of her standing in early 17th-century Haarlem. The artist captures her with a remarkable immediacy, a hallmark of Dutch Golden Age portraiture, where individual character was increasingly valued. The brushwork, particularly in her ruff and the subtle highlights on her face, is lively and visible, giving the impression of a moment caught rather than a static pose. This intimate scale suggests it might have been part of a diptych, perhaps paired with a portrait of her husband, designed for private contemplation in a home.

DETAILS
Artist
Frans Hals
Date
1626
Medium
Oil on wood
Location
The Metropolitan Museum of Art
Dimensions
8 3/4 x 6 1/2 in. (22.2 x 16.5 cm)
Collection
European Paintings
Credit line
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Anna van der Aar (born 1576/77, died after 1626)

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01

The wary face

Look at the face, with its heavy-lidded eyes, a sideways glance and slightly pursed mouth. Hals paints a sitter who looks alert and a little wary, caught in the moment rather than stiffly posed.

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02

The pleated ruff

Follow the ruff's folds, built from quick white strokes with thin shadows between. It reads as crisp starched linen without any fussy detail.

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03

The hand on the chest

Her hand rests on her bodice, with a ring on one finger. It comes forward into our space and adds a personal, direct gesture.

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04

Gold embroidery

Find the gold scrollwork on the dark bodice. A few flicks of yellow paint suggest rich thread against the black without being counted stitch by stitch.

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05

Signature and date

At the bottom of the painted oval, the monogram FH and the date 1626 are painted into the frame as if carved, a playful touch.

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THE ARTIST

Frans Hals

1591–1666 · Dutch Republic

Master of spontaneous brushwork who captured Dutch burghers with unrivaled liveliness and psychological insight.

Read Hals’s full story
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Beyond Hals and Baroque: works from the same years, and from the other movements Anna van der Aar (born 1576/77, died after 1626) belongs to.

The Little Street Same movement · Dutch Golden Age painting The Little Street Johannes Vermeer · 1658 · Rijksmuseum Lieven Willemsz van Coppenol (born about 1599, died 1671 or later) Same era · 1610s–1640s Lieven Willemsz van Coppenol (born about 1599, died 1671 or later) Rembrandt · 1626 · The Metropolitan Museum of Art Musical Company Same movement · Dutch Golden Age painting Musical Company Rembrandt · 1626 · Museum De Lakenhal The Adoration of the Eucharist Same era · 1610s–1640s The Adoration of the Eucharist Peter Paul Rubens · 1626 · Art Institute of Chicago Southern Barbarians Same era · 1610s–1640s Southern Barbarians Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago An Elegant Company Same era · 1610s–1640s An Elegant Company Samuel Alcock & Company · 1632 · Art Institute of Chicago Saint Jerome Same era · 1610s–1640s Saint Jerome Hendrick ter Brugghen · 1624 · Museum Boijmans Van Beuningen The Fortune-Teller Same era · 1610s–1640s The Fortune-Teller Georges de La Tour · 1630 · The Metropolitan Museum of Art
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