Nude in a Folding Chair

Henri Matisse, 1901

MEDIUMBrush and black wash on ivory laid paper, pieced at top edge
DIMENSIONS66 × 47 cm (26 × 18 9/16 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREFrance
CREDIT LINEGift of Mrs. Potter Palmer, II

This early drawing by Henri Matisse, created in 1901, reveals his foundational skill in capturing the human form with expressive lines and dramatic contrasts, foreshadowing his later revolutionary work in Fauvism.

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ABOUT THIS WORK

Henri Matisse's "Nude in a Folding Chair" from 1901 offers a glimpse into the artist's early explorations of the human form, predating the vibrant Fauvist explosions he would soon become famous for. Created when Matisse was in his early thirties, this piece showcases his masterful draughtsmanship, a skill noted in his biography, even as he is primarily known as a painter. The use of brush and black wash on paper highlights his fluid lines and the expressive potential of stark contrasts, a technique that would continue to evolve throughout his career. While not yet displaying the bold, unmixed colors seen in later works like "Bathers by a River" or "Still Life with Geranium," this drawing demonstrates Matisse's foundational interest in the figure and his ability to capture form and volume with minimal means. It's a testament to the rigorous academic training that underpinned his later revolutionary movements like Fauvism and Neo-impressionism, hinting at the freedom and experimentation that would define his artistic journey.

ART MOVEMENTS
FauvismImpressionismNeo-ImpressionismPost-Impressionism
LOOK CLOSER

What to Notice

1

The expressive, fluid lines of the figure

2

The stark contrast of black wash against the ivory paper

3

The subtle modeling created by varying wash intensity

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Audio Deep Dive

This early drawing by Henri Matisse, created in 1901, reveals his foundational skill in capturing the human form with expressive lines and dramatic contrasts,…

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THE ARTIST
Henri Matisse 1869–1954 · France

Henri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.

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