Large Odalisque in Striped Pantaloons

Henri Matisse, 1925

MEDIUMLithograph in black on gray laid China paper
DIMENSIONSImage: 54.4 × 44.1 cm (21 7/16 × 17 3/8 in.); Sheet: 71.3 × 56.7 cm (28 1/8 × 22 3/8 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREFrance
CREDIT LINEAlbert Roullier Memorial Collection

Step into the intimate world of Henri Matisse's "Large Odalisque in Striped Pantaloons," a lithograph from 1925 that highlights his mastery of line and form, showcasing a recurring motif in his work.

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ABOUT THIS WORK

Henri Matisse, a master celebrated for his vibrant use of color and fluid draughtsmanship, created "Large Odalisque in Striped Pantaloons" in 1925. This lithograph showcases a recurring theme in Matisse's work from this period: the odalisque. While perhaps best known as a painter, Matisse was also a prolific printmaker, and this piece demonstrates his elegant approach to line and form in black and white. The artwork fits within a broader period of Matisse's career where he explored interiors and the female figure, as seen in other works like "Woman before an Aquarium" and "A Girl Reading." Here, he strips away the vibrant colors often associated with his Fauvist past, focusing instead on the rhythmic interplay of lines and the subtle textures achieved through the lithographic process. The odalisque, a figure often associated with exoticism and sensuality, is rendered with a relaxed elegance, inviting contemplation of the artist's masterful draftsmanship.

ART MOVEMENTS
FauvismImpressionismNeo-ImpressionismPost-Impressionism
LOOK CLOSER

What to Notice

1

The delicate cross-hatching on the figure's skin

2

The intricate patterns of the striped pantaloons

3

The subtle texture of the gray laid China paper

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Audio Deep Dive

Step into the intimate world of Henri Matisse's "Large Odalisque in Striped Pantaloons," a lithograph from 1925 that highlights his mastery of line and form, s…

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THE ARTIST
Henri Matisse 1869–1954 · France

Henri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.

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