Heads of Tahitian Women, Frontal and Profile Views by Paul Gauguin

Heads of Tahitian Women, Frontal and Profile Views

Paul Gauguin · 1891

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“Stop to appreciate the striking intensity of these two Tahitian women, captured through the artist's masterful handling of charcoal, creating a sense of both immediacy and timelessness.”

ABOUT THIS WORK

Two Tahitian women gaze out from this charcoal drawing, one in a direct frontal view, the other in profile. Their faces are rendered with a powerful simplicity, emphasizing the contours of their features and the weight of their hair. The artist used charcoal and wetted charcoal, manipulating the medium with stumping and erasing to create soft gradations and deep shadows. You can see how the wetted charcoal gives a richer, almost painterly quality to certain areas, particularly in the women's dark hair and the shadowed planes of their faces. This approach allows for a remarkable sense of volume and presence, making these studies feel more like finished portraits than mere preparatory sketches. Created in 1891, the drawing reflects the artist's fascination with the people and culture he encountered during his first extended stay in Tahiti.

DETAILS
Artist
Paul Gauguin
Date
1891
Medium
Charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixed
Location
Art Institute of Chicago
Dimensions
41.3 × 32.5 cm (16 5/16 × 12 13/16 in.)
Collection
Prints and Drawings
Culture
France
Credit line
Gift of David Adler and his friends
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Heads of Tahitian Women, Frontal and Profile Views

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01

The downcast face

Look at the main face, tilted down with heavy-lidded eyes. The calm, withdrawn expression gives the head a quiet, inward presence.

1 of 5 on the painting
02

Lips and nose

The full lips and broad nose are built up with firm, simple shading. The forms are plain and sculptural, with little attempt at polish.

2 of 5 on the painting
03

Dark swept hair

The hair is laid in with broad, dense charcoal that pools into near black. Against the pale skin it frames the face like a dark shape.

3 of 5 on the painting
04

Ghostly profile head

At the left edge a second head in profile is drawn in faint, thin lines. Its lowered face and closed eye are easy to miss beside the bolder main figure.

4 of 5 on the painting
05

Soft smudged shoulders

The shoulders and chest are rubbed into a soft haze with almost no outline. The skin seems to melt into the tan paper, so the paper itself acts as the flesh tone.

5 of 5 on the painting
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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig
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