Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]) by Paul Gauguin

Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])

Paul Gauguin · 1891

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“This powerful pastel captures a Tahitian woman in a moment of direct engagement, serving as a study for a famous painting. Her intense gaze and the raw energy of the charcoal lines are particularly compelling.”

ABOUT THIS WORK

A woman crouches, her body angled away from us, in this striking pastel by Paul Gauguin. Her head is turned, meeting our gaze with a direct, almost challenging expression. The charcoal underdrawing, visible beneath the soft pastel, gives a raw energy to her form, particularly in the strong lines of her back and limbs. The artist has selectively stumped the pastel, blending colors to create a sense of volume and shadow, especially in the deep folds of her skirt and the contours of her face. This drawing, made in 1891, is a preparatory study for a figure in Gauguin's well-known painting, Nafea faa ipoipo (When Will You Marry?), completed in the same year. It captures an intimate moment, hinting at the complex lives of the Tahitian women he encountered during his first journey to the island, a place he sought out for its perceived distance from European modernity.

DETAILS
Artist
Paul Gauguin
Date
1891
Medium
Pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan)
Location
Art Institute of Chicago
Dimensions
55.5 × 48 cm (21 7/8 × 18 15/16 in.)
Collection
Prints and Drawings
Culture
France
Credit line
Margaret Day Blake Collection
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])

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01

The resting face

Look at the face tilted into her hand. The wide, calm eyes and soft pink lips give her a quiet, watchful look that holds the whole drawing.

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02

Coiled arm and fist

Her arm folds across her knees and the hand rises to her shoulder. The curve carries your eye from the face down and around her body.

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03

Squaring grid

Thin black chalk lines and diagonals cross the paper, even over her body. They are a grid for copying this study onto a larger painting.

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04

Yellow pastel hatching

In the skirt, short yellow strokes sit over pale pink and lilac. The loose hatching suggests a patterned cloth without drawing every detail.

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05

Crossed bare feet

The feet cross at the bottom, drawn large with dark outlines and spread toes. They anchor her to the ground and add weight to the crouch.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]) belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig
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