The resting face
Look at the face tilted into her hand. The wide, calm eyes and soft pink lips give her a quiet, watchful look that holds the whole drawing.
![Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]) by Paul Gauguin](https://images.artwhisper.app/artworks/84dd8ce4-fb6a-471a-b2ec-4a699e1d7528/0a75a599-55ce-4364-b308-c0db61f90efb_lg.jpg)
“This powerful pastel captures a Tahitian woman in a moment of direct engagement, serving as a study for a famous painting. Her intense gaze and the raw energy of the charcoal lines are particularly compelling.”
A woman crouches, her body angled away from us, in this striking pastel by Paul Gauguin. Her head is turned, meeting our gaze with a direct, almost challenging expression. The charcoal underdrawing, visible beneath the soft pastel, gives a raw energy to her form, particularly in the strong lines of her back and limbs. The artist has selectively stumped the pastel, blending colors to create a sense of volume and shadow, especially in the deep folds of her skirt and the contours of her face. This drawing, made in 1891, is a preparatory study for a figure in Gauguin's well-known painting, Nafea faa ipoipo (When Will You Marry?), completed in the same year. It captures an intimate moment, hinting at the complex lives of the Tahitian women he encountered during his first journey to the island, a place he sought out for its perceived distance from European modernity.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at the face tilted into her hand. The wide, calm eyes and soft pink lips give her a quiet, watchful look that holds the whole drawing.
Her arm folds across her knees and the hand rises to her shoulder. The curve carries your eye from the face down and around her body.
Thin black chalk lines and diagonals cross the paper, even over her body. They are a grid for copying this study onto a larger painting.
In the skirt, short yellow strokes sit over pale pink and lilac. The loose hatching suggests a patterned cloth without drawing every detail.
The feet cross at the bottom, drawn large with dark outlines and spread toes. They anchor her to the ground and add weight to the crouch.
The full narration walks you through Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
Two Tahitian Women in a Landscape
1887 · Art Institute of Chicago
Arlésiennes (Mistral)
1888 · Art Institute of Chicago
Woman in Front of a Still Life by Cezanne
1890 · Art Institute of Chicago
Te raau rahi (The Big Tree)
1891 · Art Institute of Chicago
Te burao (The Hibiscus Tree)
1892 · Art Institute of Chicago
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
1893 · Art Institute of Chicago
Aha oe feii? (What! Are You Jealous?)
1894 · Art Institute of Chicago
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]) belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Summer)
Claude Monet · 1891 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
Haymaking at Éragny
Camille Pissarro · 1892 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
Henri-Gabriel Ibels (1867–1936)
Henri de Toulouse-Lautrec · 1892 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago