("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques) by Paul Gauguin

("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)

Paul Gauguin · 1889

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“Stop and notice this striking zincograph, a cover illustration by Paul Gauguin. Its bold colors and simplified forms challenge traditional art, inviting you to ponder the meaning behind the title, "Shame on Those Who Evil Think."”

ABOUT THIS WORK

A boldly colored zincograph, this work served as the cover for Paul Gauguin's "Volpini Suite," a collection of lithographic drawings. Here, a nude woman, likely Leda from Greek mythology, reclines with her back to us, her form outlined in stark black against a vibrant yellow background. The title, "Shame on Those Who Evil Think," hints at a deeper, perhaps ironic, commentary on viewers' perceptions. The hand-applied watercolor and gouache enhance the flat, decorative quality, a hallmark of the Synthetist style that was emerging at the time. This piece, created in 1889, demonstrates a departure from traditional academic approaches, favoring strong lines, simplified forms, and non-naturalistic color to evoke feeling and symbolism rather than mere representation. It invites us to consider the interplay between myth, art, and the viewer's gaze, all while showcasing an experimental approach to printmaking.

DETAILS
Artist
Paul Gauguin
Date
1889
Medium
Zincograph, colored by hand with watercolor and gouache on chrome yellow wove paper; mounted on marbled paper applied to millboard (cover of print portfolio, trimmed)
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 11 15/16 x 10 3/16 in. (30.4 x 25.9 cm)
Collection
Drawings and Prints
Credit line
Rogers Fund, 1922
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)

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01

The turned head

Look at the young woman's face in profile, her eyes lowered, with a dark smudge beneath the eye. Her downcast look gives her a quiet, withdrawn mood, not the usual glamour of a Leda.

1 of 5 on the painting
02

The swan's neck

A pale swan's neck arcs over her head, and its head rests in her hair. The swan is the main clue that she is Leda, and its curve reads almost like a hair comb.

2 of 5 on the painting
03

Snake on a branch

At upper left, a green snake curls around a leafy branch. Snakes often suggest temptation or danger, and this one sits close to the edge where it is easy to miss.

3 of 5 on the painting
04

Little birds and fruit

At right, two small yellow bird-like creatures sit stacked above a leaf and a piece of fruit. They are drawn with childlike simplicity and float with no ground beneath them.

4 of 5 on the painting
05

Mirrored handwriting

The motto 'Honi soit qui mal y pense' curves along the upper right rim, written in reverse. Mirrored writing like this comes from the transfer process used to make the print.

5 of 5 on the painting
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The full narration walks you through ("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

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Beyond Gauguin and Symbolism: works from the same years, and from the other movements ("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques) belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig
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