“Stop to witness the raw power and chaotic energy of Delacroix's "Lion Hunt." This painting throws you into the heart of a ferocious battle between man and beast, a hallmark of Romanticism's passion and drama.”
Chaos erupts in this dramatic scene, where humans and beasts clash in a swirling maelstrom of violence. A lion, its maw open in a roar, grapples with a turbaned horseman, whose spear is poised for a strike. Delacroix captures the raw energy of the hunt, with horses rearing, swords flashing, and bodies contorting in struggle. The composition pulls the eye across the canvas, from the central conflict to the figures engaged in battle on all sides. This painting, created late in the artist's life, embodies the Romantic movement's fascination with exoticism, intense emotion, and the untamed power of nature, reflecting a period where artists sought to evoke powerful feelings rather than classical ideals of order and restraint.
- Artist
- Eugène Delacroix
- Date
- 1858
- Medium
- Oil on canvas
- Location
- Museum of Fine Arts Boston
What to Notice
Five details hide in plain sight. Here’s where to look.

The lion's powerful claws digging into the horse's flank.
The horseman's shield, barely visible, reflecting a glint of light.
The vibrant red of the turban, a focal point amidst the chaos.
A discarded spear lying on the ground, hinting at earlier skirmishes.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Sheet of Sketches
1826 · Art Institute of Chicago
Mephistopheles Appearing to Faust
1828 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Lion Hunt belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1840s–1870s
Woman in a Riding Habit (L'Amazone)
Gustave Courbet · 1856 · Metropolitan Museum of Art
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1840s–1870s
Peace and Plenty
William Hart · 1855 · New Britain Museum of American Art
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago




