“Stop and observe this dynamic sheet of sketches. It’s a rare chance to see a French Romantic artist's raw ideas and spontaneous creativity, capturing various figures and expressions in a single, vivid composition.”
This lithograph, a "Sheet of Sketches" from 1826, offers a fascinating glimpse into a Romantic artist's creative process. It presents a collection of figures and studies, seemingly disparate, brought together on a single page. Look closely at the varied expressions and gestures captured here: a man in profile, a woman's head tilted, a figure in dramatic repose. The artist uses the stark contrast of black ink on white paper to emphasize form and shadow, giving each sketch a raw, immediate quality. This approach allows us to see the rapid formulation of ideas, perhaps for larger paintings or illustrations, as the artist explores different poses and emotional states. It's a window into the initial spark of inspiration, before the polished final product.
- Artist
- Eugène Delacroix
- Date
- 1826
- Medium
- Lithograph in black on white wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 20 × 33 cm (7 7/8 × 13 in.); Sheet: 25.5 × 40.5 cm (10 1/16 × 16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Clarence Buckingham Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The man's intense gaze in the upper left portrait.
The way the woman's head is delicately rendered, almost floating.
The dramatic foreshortening of the reclining figure.
The quick, energetic lines suggesting movement and emotion.
Stand in front of it and listen
The full narration walks you through Sheet of Sketches — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Mephistopheles Appearing to Faust
1828 · Art Institute of Chicago
Wild Horse, or Frightened Horse Leaving the Water
1828 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Sheet of Sketches belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Forum Romanum, for Mr Soane's Museum
J. M. W. Turner · 1826 · Tate
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
Portrait of the Merchant Alexander Sapozhnikov
Vasily Andreevich Tropinin · 1826 · Hermitage Museum




