“Stop to see this iconic image of a wild horse, its eyes wide with fear, as it dramatically leaps from the water. It's a powerful example of Romanticism's focus on raw emotion and untamed nature.”
A wild horse, eyes wide with primal fear, rears back from an unseen threat in this dramatic lithograph. Its powerful body twists, muscles straining, as it seems to leap out of the water, its mane and tail flying with frantic energy. The scene pulses with a raw, untamed spirit, a stark contrast to the more idealized depictions of horses by earlier artists like Théodore Géricault. Here, the horse embodies a wilder, more elemental force, its terror palpable. This early lithograph, made in 1828, captures a quintessential element of Romanticism: the intense expression of emotion. The artist, Eugène Delacroix, masterfully uses the stark black and white of the lithograph to heighten the drama, making the horse’s struggle and fear immediately engaging.
- Artist
- Eugène Delacroix
- Date
- 1828
- Medium
- Lithograph, in black, on white wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 23 × 24 cm (9 1/16 × 9 1/2 in.); Sheet: 36.1 × 27.8 cm (14 1/4 × 11 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Purchased with funds provided by Dr. and Mrs. Martin Gecht, and Alan Rutenberg Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The horse’s wide, frightened eye.
The powerful musculature of its hindquarters.
The way its mane and tail whip through the air.
The dark, turbulent water around its hooves.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Wild Horse, or Frightened Horse Leaving the Water — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Sheet of Sketches
1826 · Art Institute of Chicago
Mephistopheles Appearing to Faust
1828 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Wild Horse, or Frightened Horse Leaving the Water belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Chichester Canal
J. M. W. Turner · 1829 · National Trust
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
Licenza, near Rome: Horace's Villa
William Havell · 1828 · The Metropolitan Museum of Art




