“Stop to appreciate this striking portrait of Comte de Pastoret. Ingres's meticulous attention to detail brings his subject to life, from the luxurious fabric of his clothing to the confident expression on his face.”
Amédée-David, the Comte de Pastoret, is captured here in a formal portrait, his gaze direct and confident. He sits, poised and elegant, against a rich, dark background that emphasizes his figure. The artist, Jean-Auguste-Dominique Ingres, often considered himself a history painter, but it is works like this portrait that reveal his exceptional skill in capturing individual character and the luxurious textures of clothing. Notice the way the light falls across Pastoret's face, highlighting his features with a subtle glow, and how his dark suit contrasts with the bright white of his cravat. The painting exemplifies the Neoclassical ideal of refined draughtsmanship and smooth finish, presenting a polished and idealized image of its subject. This work, created in 1823, reflects a period when Ingres was establishing his reputation, blending a reverence for classical forms with a keen observation of contemporary fashion and social standing.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1823
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle sheen on the Comte's dark suit, suggesting fine wool.
The intricate folds and crispness of his white cravat and shirt.
The delicate rendering of his hair, with individual strands visible.
The gold ring on his left hand, a small but elegant detail.
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Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes
1814 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Ingres and Romanticism: works from the same years, and from the other movements Amédée-David, the Comte de Pastoret belongs to.
Same movement · Academic art
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Neoclassicism
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
J. M. W. Turner · 1823 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Portrait of K.G.Ravich
Vasily Andreevich Tropinin · 1823 · Tretyakov Gallery
Same era · 1800s–1830s
George Grote
Thomas Stewardson · 1824 · National Portrait Gallery
Same era · 1800s–1830s
Indian Army Officer
William Havell · 1822 · Reading Museum




