Amédée-David, the Comte de Pastoret by Jean-Auguste-Dominique Ingres

Amédée-David, the Comte de Pastoret

Jean-Auguste-Dominique Ingres · 1823

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“Stop to appreciate this striking portrait of Comte de Pastoret. Ingres's meticulous attention to detail brings his subject to life, from the luxurious fabric of his clothing to the confident expression on his face.”

ABOUT THIS WORK

Amédée-David, the Comte de Pastoret, is captured here in a formal portrait, his gaze direct and confident. He sits, poised and elegant, against a rich, dark background that emphasizes his figure. The artist, Jean-Auguste-Dominique Ingres, often considered himself a history painter, but it is works like this portrait that reveal his exceptional skill in capturing individual character and the luxurious textures of clothing. Notice the way the light falls across Pastoret's face, highlighting his features with a subtle glow, and how his dark suit contrasts with the bright white of his cravat. The painting exemplifies the Neoclassical ideal of refined draughtsmanship and smooth finish, presenting a polished and idealized image of its subject. This work, created in 1823, reflects a period when Ingres was establishing his reputation, blending a reverence for classical forms with a keen observation of contemporary fashion and social standing.

DETAILS
Artist
Jean-Auguste-Dominique Ingres
Date
1823
Medium
Oil on canvas
Location
Art Institute of Chicago
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Amédée-David, the Comte de Pastoret
01

The subtle sheen on the Comte's dark suit, suggesting fine wool.

02

The intricate folds and crispness of his white cravat and shirt.

03

The delicate rendering of his hair, with individual strands visible.

04

The gold ring on his left hand, a small but elegant detail.

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THE ARTIST

Jean-Auguste-Dominique Ingres

1780–1867 · France

Jean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.

Read Ingres’s full story
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Beyond Ingres and Romanticism: works from the same years, and from the other movements Amédée-David, the Comte de Pastoret belongs to.

The Combat of the Giaour and Hassan Same movement · Academic art The Combat of the Giaour and Hassan Eugène Delacroix · 1826 · Art Institute of Chicago The Estuary Farm Same era · 1800s–1830s The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago Head of a Child Same movement · Neoclassicism Head of a Child Jacques-Louis David · 1768 · The Metropolitan Museum of Art The Bay of Baiae, with Apollo and the Sibyl Same era · 1800s–1830s The Bay of Baiae, with Apollo and the Sibyl J. M. W. Turner · 1823 · National Gallery The Entombment of Christ Same movement · Academic art The Entombment of Christ Caravaggio · 1600 · Pinacoteca Vaticana The Fortune Teller (La Bonne Aventure) Same era · 1800s–1830s The Fortune Teller (La Bonne Aventure) Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco Drunkenness of Noah Same movement · Academic art Drunkenness of Noah Michelangelo · 1509 · Sistine Chapel Saturn Devouring His Son Same era · 1800s–1830s Saturn Devouring His Son Francisco Goya · 1820 · Museo del Prado
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