“This painting vividly captures Hamlet's famous encounter with Yorick's skull, a pivotal moment from Shakespeare's play that explores themes of life, death, and memory, rendered with dramatic intensity by Delacroix.”
In a dimly lit graveyard, two figures stand contemplating a freshly unearthed skull, a scene drawn from Shakespeare's Hamlet. This 1839 oil painting by Eugène Delacroix captures the dramatic moment when Hamlet confronts the skull of Yorick, the court jester. The painting's somber palette and theatrical composition emphasize the play's themes of mortality and reflection. The gravediggers, preparing Ophelia's burial, have inadvertently brought Hamlet face to face with his past, an encounter that resonates with the Romantic era's fascination with introspection and the macabre. Delacroix's rendition of this iconic scene was exhibited at the prestigious Salon of 1839 in Paris, highlighting the enduring appeal of British literature, and Shakespeare in particular, within French Romanticism.
- Artist
- Eugène Delacroix
- Date
- 1839
- Medium
- Oil on canvas
- Location
- Department of Paintings of the Louvre
What to Notice
Five details hide in plain sight. Here’s where to look.

The skull of Yorick, held by Hamlet, a stark symbol of mortality.
The two gravediggers, one still digging, the other observing.
Horatio, Hamlet's loyal friend, stands quietly to the right.
The dark, brooding sky and sparse graveyard setting.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Liberty Leading the People
1830 · Department of Paintings of the Louvre
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Sheet of Sketches
1826 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Hamlet and Horatio in the Graveyard belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago




