“Stop to see how Eugène Delacroix's lithograph brings a dramatic moment from Goethe's *Faust* to life, using stark light and shadow to capture the unsettling appearance of Mephistopheles.”
In this dramatic lithograph, a cloaked figure with a menacing grin appears to a startled man, illuminated by an unseen light source. The scene captures a pivotal moment from Goethe's tragic play, Faust, where the demon Mephistopheles first reveals himself to the scholar Faust. Delacroix masterfully uses the stark contrasts of lithography to heighten the tension, with deep shadows enveloping much of the composition and stark white highlights drawing the eye to the figures' expressive faces and gestures. The detailed rendering of Mephistopheles's costume, with its elaborate ruff and feathered hat, adds to his theatrical presence, while Faust's disheveled appearance underscores his vulnerability. Created in 1828, this work exemplifies the Romantic movement's fascination with literature, emotion, and the supernatural, presenting a powerful visual narrative that draws the viewer into the psychological drama.
- Artist
- Eugène Delacroix
- Date
- 1828
- Medium
- Lithograph in black on ivory wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 25.8 × 21 cm (10 3/16 × 8 5/16 in.); Sheet: 39 × 31.6 cm (15 3/8 × 12 1/2 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- John H. Wrenn Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Mephistopheles's unsettling, almost theatrical smile.
The way light dramatically sculpts the figures from the darkness.
Faust's wide-eyed expression of shock and fear.
The intricate details of Mephistopheles's feathered hat and ruff.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Sheet of Sketches
1826 · Art Institute of Chicago
Wild Horse, or Frightened Horse Leaving the Water
1828 · Art Institute of Chicago
More from Romanticism
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Same era · 1810s–1840s
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Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
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J. M. W. Turner · 1829 · National Trust
Same movement · Academic art
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Same era · 1810s–1840s
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Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
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Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
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Same era · 1810s–1840s
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Same movement · Academic art
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Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
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Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
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John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
Licenza, near Rome: Horace's Villa
William Havell · 1828 · The Metropolitan Museum of Art




