“Step into a dreamlike Tahitian landscape where vibrant colors and enigmatic figures invite you to ponder the painting's provocative question, "Why Are You Angry?" This work blurs the line between observed reality and artistic fantasy.”
In this large canvas, women of varying ages appear to go about daily life within a colorful, stylized outdoor environment. The scene unfolds with a dreamlike quality, combining observed details with artistic fantasy. Notice the vibrant, almost unnatural hues that define the landscape, a hallmark of the artist's style during his time in Tahiti. The figures themselves are rendered with a certain flatness, emphasizing their forms and patterns over realistic depth. This painting, one of several sent back to France in 1897, carries a deliberately provocative title, "Why Are You Angry?" It leaves us to wonder if the "you" refers to a figure within the painting or to us, the viewers, inviting a personal interpretation of the scene and its underlying emotions.
- Artist
- Paul Gauguin
- Date
- 1896
- Medium
- Oil on jute canvas
- Location
- Art Institute of Chicago
- Dimensions
- 95.3 × 130.6 cm (37 1/2 × 51 3/8 in.); Framed: 116.6 × 153.1 × 6.7 cm (45 7/8 × 60 1/4 × 2 5/8 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- France
- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The deep red earth contrasting with the lush, almost glowing green foliage.
The central figure's direct gaze, seeming to address the viewer.
The two figures in the background, partially obscured, engaged in conversation.
The simplified, sculptural forms of the women's bodies.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through No te aha oe riri (Why Are You Angry?) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
Two Tahitian Women in a Landscape
1887 · Art Institute of Chicago
Arlésiennes (Mistral)
1888 · Art Institute of Chicago
Woman in Front of a Still Life by Cezanne
1890 · Art Institute of Chicago
Te raau rahi (The Big Tree)
1891 · Art Institute of Chicago
Te burao (The Hibiscus Tree)
1892 · Art Institute of Chicago
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
1893 · Art Institute of Chicago
Aha oe feii? (What! Are You Jealous?)
1894 · Art Institute of Chicago
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements No te aha oe riri (Why Are You Angry?) belongs to.
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1880s–1910s
Émilie
Henri de Toulouse-Lautrec · 1897 · The Metropolitan Museum of Art
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1880s–1910s
Poplars, Eragny
Camille Pissarro · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum




