“Stop and observe the delicate play of light and shadow on these towering poplars. Pissarro’s brushwork here beautifully captures a serene moment in the French countryside, inviting you to step into the scene.”
In this vertical canvas, Camille Pissarro captures a row of slender poplar trees, their leaves a vibrant green against a soft, bright sky. The trees, depicted with a delicate touch, recede into the distance, guiding the eye through a sun-drenched landscape. It’s a scene from Eragny, a village in Normandy where Pissarro lived for many years, and the work reflects his deep engagement with the changing light and seasons of the French countryside. Painted in 1895, this piece shows Pissarro’s continued exploration of Impressionist principles, even as he had earlier experimented with Neo-Impressionism. The brushwork here is loose and atmospheric, emphasizing the fleeting quality of light and the gentle movement of nature, a hallmark of his approach to landscape painting.
- Artist
- Camille Pissarro
- Date
- 1895
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 36 1/2 x 25 1/2 in. (92.7 x 64.8 cm)
- Collection
- European Paintings
- Credit line
- Bequest of Miss Adelaide Milton de Groot (1876-1967), 1967
What to Notice
Five details hide in plain sight. Here’s where to look.

The varied greens in the poplar leaves, suggesting individual trees.
The subtle reflections of light on the water in the foreground.
The way the path draws your eye deeper into the landscape.
The soft, diffused light on the clouds in the upper sky.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Poplars, Eragny — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Camille Pissarro
1830–1903 · FranceCamille Pissarro, the Danish-French painter, was a pivotal figure in both Impressionism and Neo-Impressionism, capturing everyday life from Parisian streets to snow-covered villages.
Further Works by Pissarro
Still Life with Apples and Pitcher
1872 · The Metropolitan Museum of Art
A Washerwoman at Eragny
1893 · The Metropolitan Museum of Art
Rue de l'Epicerie, Rouen (Effect of Sunlight)
1898 · The Metropolitan Museum of Art
Haystacks, Morning, Eragny
1899 · The Metropolitan Museum of Art
The Banks of the Marne in Winter
1866 · Art Institute of Chicago
Snow at Louveciennes
1870 · Art Institute of Chicago
The Crystal Palace
1871 · Art Institute of Chicago
Fan Mount: The Cabbage Gatherers
1878 · Metropolitan Museum of Art
More from Impressionism
More works to explore
Beyond Pissarro and Impressionism: works from the same years, and from the other movements Poplars, Eragny belongs to.
Same movement · Neo-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Madame Thadée Natanson (Misia Godebska, 1872–1950) at the Theater
Henri de Toulouse-Lautrec · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Still Life with Teapot and Fruit
Paul Gauguin · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Hands
Edvard Munch · 1893 · Munch Museum




