“This small, intimate wood-block print by Paul Gauguin offers a glimpse into a stylized Tahitian world, blending human figures and animals with a dreamlike quality.”
In this small wood-block print, Paul Gauguin conjures a scene of figures and animals in a dreamlike Tahitian landscape. Two women, one seated and one standing, appear among stylized trees and a cluster of animals that includes a horse, a pig, and a dog. The composition is simplified, almost like a stencil, with broad areas of yellow ocher ink providing a warm base, over which gray-blue and touches of red watercolor add subtle depth. This print captures the artist's fascination with Indigenous cultures and his desire to create art that evoked a sense of spiritual mystery, far removed from European academic traditions. The use of a notebook page, ruled in blue, suggests an intimate, perhaps experimental, approach to the medium, making the work feel immediate and personal.
- Artist
- Paul Gauguin
- Date
- 1896
- Medium
- Wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue
- Location
- Art Institute of Chicago
- Dimensions
- Image: 9.1 × 10.6 cm (3 5/8 × 4 3/16 in.); Sheet: 10.6 × 13.3 cm (4 3/16 × 5 1/4 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Gift of the Print and Drawing Club
What to Notice
Four details hide in plain sight. Here’s where to look.

The two women, one seated and one standing, with their simplified forms.
The horse, pig, and dog nestled among the foliage.
The blue lines of the notebook paper visible beneath the print.
The warm yellow ocher ink contrasted with cool gray-blue watercolor.
Stand in front of it and listen
The full narration walks you through Maoris and Animals — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
Two Tahitian Women in a Landscape
1887 · Art Institute of Chicago
Arlésiennes (Mistral)
1888 · Art Institute of Chicago
Woman in Front of a Still Life by Cezanne
1890 · Art Institute of Chicago
Te raau rahi (The Big Tree)
1891 · Art Institute of Chicago
Te burao (The Hibiscus Tree)
1892 · Art Institute of Chicago
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
1893 · Art Institute of Chicago
Aha oe feii? (What! Are You Jealous?)
1894 · Art Institute of Chicago
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Maoris and Animals belongs to.
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1880s–1910s
Émilie
Henri de Toulouse-Lautrec · 1897 · The Metropolitan Museum of Art
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1880s–1910s
Poplars, Eragny
Camille Pissarro · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum




