Le Sourire by Paul Gauguin

Le Sourire

Paul Gauguin · 1899

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“Stop to see a rare, raw woodcut by Paul Gauguin that served as the masthead for his satirical magazine, *Le Sourire*. Its bold lines and enigmatic smile offer a glimpse into his later, more experimental work.”

ABOUT THIS WORK

A wide, almost mischievous grin dominates the center of this woodcut, rendered with a raw, expressive energy. This face, framed by dark, flowing hair, emerges from a dense, almost chaotic background of abstract shapes, suggesting a figure deeply embedded in nature or perhaps a dreamlike state. The bold, somewhat crude lines, typical of woodcut printing, give the image an immediate, visceral quality, far removed from the polished surfaces of academic art. This particular impression, printed on delicate china paper, allows the deep black ink to stand out with striking contrast against the pale surface. Created in 1899, this work was a header for Gauguin's self-published monthly magazine, Le Sourire (The Smile), produced during his time in Tahiti and the Marquesas Islands. The publication, often satirical, featured his drawings and woodcuts, reflecting his desire to create art outside the conventional European art world.

DETAILS
Artist
Paul Gauguin
Date
1899
Medium
Woodcut on china paper
Location
The Metropolitan Museum of Art
Dimensions
block: 4 x 7 1/4 in. (10.2 x 18.4 cm) sheet: 10 3/4 x 16 5/8 in. (27.3 x 42.2 cm)
Collection
Drawings and Prints
Credit line
Rogers Fund, 1921
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Le Sourire

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01

The hand-cut title

Look at the swirling letters of "Le Sourire" at upper left. Gauguin carved the title as part of the picture, with wobbly, lively shapes.

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02

Dark animal and bird

At left, a black animal with pointed ears stands beside a round-eyed bird. The pairing feels strange and dreamlike, and the print gives no clear story to explain it.

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03

Seated robed figure

In the center, a figure with a pale face sits wrapped in heavy folds of cloth. The curving white lines of the drapery give her a solid, weighty presence.

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04

Hooded reading woman

At lower right, a woman in a dark hood bends over an open book, her clasped hands raised near her mouth. Her quiet, inward pose contrasts with the busier panels beside her.

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05

The mask-like face

Top right, a dark face with round eyes and a wide mouth floats above the reader. It reads like a mask or a grinning spirit, and it is easy to skip past.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Le Sourire belongs to.

Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Woman Walking in a Garden Same era · 1880s–1910s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Still Life with Crayfish Same era · 1880s–1910s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same era · 1880s–1910s Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1880s–1910s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago
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