Ia Orana Maria (Hail Mary) by Paul Gauguin

Ia Orana Maria (Hail Mary)

Paul Gauguin · 1891

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“Gauguin reimagines the biblical Annunciation in a vivid Tahitian landscape, blending Christian themes with the vibrant colors and simplified forms of the South Pacific.”

ABOUT THIS WORK

In a lush Tahitian landscape, two women kneel before a third, who cradles a child. This is Gauguin's reinterpretation of the Annunciation, transplanting the biblical scene of the Virgin Mary and Christ Child to a tropical setting, complete with vibrant, non-naturalistic colors. The figures are rendered with a flat, monumental quality, their forms simplified and outlined, a stylistic choice that emphasizes their symbolic presence over realistic depiction. Behind the central group, a small angel with wings appears to bless the scene, while two other figures walk along a path in the background. The rich vegetation and deep blue shadows create an otherworldly atmosphere, blending Christian iconography with the perceived exoticism of the South Pacific.

DETAILS
Artist
Paul Gauguin
Date
1891
Medium
Oil on canvas
Location
The Metropolitan Museum of Art
Dimensions
44 3/4 x 34 1/2 in. (113.7 x 87.6 cm)
Collection
European Paintings
Credit line
Bequest of Sam A. Lewisohn, 1951
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Ia Orana Maria (Hail Mary)
01

The glowing yellow halo behind the Virgin Mary and child.

02

The vibrant red pareo worn by the kneeling woman on the right.

03

The small, winged angel in the upper left background.

04

The two figures walking on a path, partially obscured by foliage.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Ia Orana Maria (Hail Mary) belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig
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