“Gauguin reimagines the biblical Annunciation in a vivid Tahitian landscape, blending Christian themes with the vibrant colors and simplified forms of the South Pacific.”
In a lush Tahitian landscape, two women kneel before a third, who cradles a child. This is Gauguin's reinterpretation of the Annunciation, transplanting the biblical scene of the Virgin Mary and Christ Child to a tropical setting, complete with vibrant, non-naturalistic colors. The figures are rendered with a flat, monumental quality, their forms simplified and outlined, a stylistic choice that emphasizes their symbolic presence over realistic depiction. Behind the central group, a small angel with wings appears to bless the scene, while two other figures walk along a path in the background. The rich vegetation and deep blue shadows create an otherworldly atmosphere, blending Christian iconography with the perceived exoticism of the South Pacific.
- Artist
- Paul Gauguin
- Date
- 1891
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 44 3/4 x 34 1/2 in. (113.7 x 87.6 cm)
- Collection
- European Paintings
- Credit line
- Bequest of Sam A. Lewisohn, 1951
What to Notice
Five details hide in plain sight. Here’s where to look.

The glowing yellow halo behind the Virgin Mary and child.
The vibrant red pareo worn by the kneeling woman on the right.
The small, winged angel in the upper left background.
The two figures walking on a path, partially obscured by foliage.
1 more detail is waiting.
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Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
1889 · The Metropolitan Museum of Art
Tahitian Women Bathing
1892 · The Metropolitan Museum of Art
The Siesta
1892 · The Metropolitan Museum of Art
A Farm in Brittany
1894 · The Metropolitan Museum of Art
Still Life with Teapot and Fruit
1896 · The Metropolitan Museum of Art
Three Tahitian Women
1896 · The Metropolitan Museum of Art
Two Tahitian Women
1899 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
1875 · Wallraf–Richartz Museum
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Ia Orana Maria (Hail Mary) belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Summer)
Claude Monet · 1891 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
Haymaking at Éragny
Camille Pissarro · 1892 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
Henri-Gabriel Ibels (1867–1936)
Henri de Toulouse-Lautrec · 1892 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago




