Tahitian Women Bathing by Paul Gauguin

Tahitian Women Bathing

Paul Gauguin · 1892

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“Stop to appreciate how this painting, with its bold colors and simplified forms, transports you to Gauguin's vision of Tahitian life, emphasizing a harmonious connection between figures and their lush surroundings.”

ABOUT THIS WORK

In "Tahitian Women Bathing," two figures emerge from a pool of water, their forms simplified and their skin rendered in warm, earthy tones. The woman on the right, seen from the back, twists her body as she wrings out her hair, a gesture that reveals the broad planes of her back and shoulders. Her companion, facing forward, gazes directly out at us with a calm, almost detached expression, her hands clasped in front of her. The vibrant, flattened colors of the landscape and the women's bodies create a sense of harmony, a hallmark of the Symbolist movement. Gauguin, who had arrived in Tahiti the previous year, sought to capture a more primal and spiritual existence, contrasting it with the perceived artificiality of European society. This painting, with its almost sculptural figures and dreamlike atmosphere, reflects his fascination with the island's culture and its people.

DETAILS
Artist
Paul Gauguin
Date
1892
Medium
Oil on paper, laid down on canvas
Location
The Metropolitan Museum of Art
Dimensions
43 1/4 × 35 1/4 in. (109.9 × 89.5 cm) Framed: 55 1/8 × 46 7/16 in. (140 × 118 cm)
Collection
Robert Lehman Collection
Credit line
Robert Lehman Collection, 1975
ART MOVEMENTS
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What to Notice

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Tahitian Women Bathing

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01

The standing figure's back

The central woman is seen from behind, her skin a flat, glowing orange-brown. With no face to read, we are left with solid, monumental form.

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02

Long black hair

The standing woman lifts one arm to her head, and her heavy black hair falls in a long dark shape down her spine, a bold line against her orange back.

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03

White-striped waves

On the left, dark blue water is slashed with quick white strokes. The paint is flat and rhythmic, more like a pattern than a realistic sea.

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04

Seated woman's patterned skirt

At right, a seated woman wears a white off-the-shoulder top over a dark blue skirt printed with pale swirling shapes. Her braid hangs down her back.

4 of 5 on the painting
05

Red and yellow cloth

A red cloth with yellow shapes lies at the standing woman's feet, the hottest color in the picture. It anchors her to the grass and echoes her warm skin.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Tahitian Women Bathing belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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