“This drawing by Eugène Delacroix brings to life the legendary knight Götz von Berlichingen, captured in a rare moment of vulnerability as he writes his memoirs, his iconic iron hand visible. It's a powerful blend of historical drama and intimate human reflection.”
In this dramatic drawing, a man in full armor, Götz von Berlichingen, is shown in a moment of quiet reflection, penning his memoirs. His right hand, famously replaced by an iron prosthetic after a battle injury, rests on the table, emphasizing his unique story. A woman, perhaps his wife, leans over his shoulder, her presence a soft counterpoint to his imposing figure and the heavy armor. Delacroix captures the essence of the Romantic hero: a figure of action and history, yet also capable of introspection. The graphite lines convey both the weight of the armor and the delicate folds of the woman's dress, creating a striking contrast between the harsh realities of war and the intimacy of the domestic scene. This work exemplifies a fascination with historical narratives and the complex psychology of its subjects, a hallmark of the Romantic movement.
- Artist
- Eugène Delacroix
- Date
- 1840
- Medium
- Graphite on beige wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 9 5/8 x 7 9/16 in. (24.5 x 19.2 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

The iron prosthetic hand, a key detail of Götz's identity.
The intricate details of the armor, suggesting its weight and texture.
The woman's gentle gaze over Götz's shoulder.
The quill pen in Götz's left hand, poised for writing.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Study of Bodies "Liberty Leading the People"
1830 · The Metropolitan Museum of Art
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Götz von Berlichingen Writing His Memoirs belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1820s–1850s
Figures at an Arcadian Fountain (Fountain of Egeria)
William Havell · 1840 · Reading Museum




