“This powerful ink study offers a rare glimpse into the creative process behind Delacroix's "Liberty Leading the People," capturing the raw energy and dramatic poses of its revolutionary figures.”
This energetic study, rendered in vigorous strokes of brown ink, captures the raw physicality and dramatic movement of figures that would soon animate one of the most iconic paintings of the Romantic era. We see a tangle of bodies, some draped in fabric, others nude, conveying a sense of struggle and shared purpose. Delacroix (1798–1863) made this drawing in 1830, a year of revolutionary fervor in France, as he prepared his monumental painting, "Liberty Leading the People." Here, he focuses on the human form, exploring how light and shadow define muscle and sinew, and how overlapping limbs create a sense of chaotic unity. This is not a finished scene, but a rapid exploration of poses and compositions, revealing the artist's process as he grappled with depicting both individual heroism and collective action.
- Artist
- Eugène Delacroix
- Date
- 1830
- Medium
- Point of brush and brown ink on off-white woven paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 7 5/16 x 13 11/16 in. (18.6 x 34.8 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the quick, almost frenetic ink lines that suggest form and motion.
Notice the varying pressure of the brush, from delicate wisps to bold, dark strokes.
Look for the nude figures, revealing Delacroix's study of anatomy beneath the drapery.
See how overlapping bodies create a sense of depth and crowded urgency.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
1832 · The Metropolitan Museum of Art
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Study of Bodies "Liberty Leading the People" belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago




