“Stop and observe how this single sheet captures a horse in three distinct, dynamic studies. Delacroix's rapid graphite strokes reveal his fascination with animal anatomy and the expressive power of the natural world.”
Here, on a single sheet of paper, a horse in profile appears three times, each study capturing a slightly different angle and expression. The graphite lines are quick and assured, suggesting the artist, Eugène Delacroix, was working rapidly, perhaps from a live model or a vivid memory. Each iteration focuses on the powerful musculature of the neck and shoulder, the elegant curve of the head, and the alert stance of the animal. The gray-beige paper (likely from a sketchbook) provides a warm, neutral ground, allowing the graphite to stand out sharply and define the forms. This intimate study reveals an artist deeply engaged with animal anatomy and movement, a hallmark of the Romantic period, where the dramatic and the natural world often intertwined.
- Artist
- Eugène Delacroix
- Date
- 1823
- Medium
- Graphite on gray-beige wove paper (probably a sheet from a sketchbook)
- Location
- The Metropolitan Museum of Art
- Dimensions
- 5 5/8 x 8 7/8 in. (153 x 24.4 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the varied angles of the horse's head in each study.
Notice the swift, confident graphite lines defining the horse's form.
Look at the subtle differences in the horse's expression across the three drawings.
See how the artist captures the powerful musculature of the neck and shoulder.
Stand in front of it and listen
The full narration walks you through Studies of a Horse in Profile — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Study of Bodies "Liberty Leading the People"
1830 · The Metropolitan Museum of Art
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
1832 · The Metropolitan Museum of Art
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Studies of a Horse in Profile belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
J. M. W. Turner · 1823 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Lace-maker
Vasily Andreevich Tropinin · 1823 · Tretyakov Gallery
Same era · 1800s–1830s
George Grote
Thomas Stewardson · 1824 · National Portrait Gallery
Same era · 1800s–1830s
Lieutenant Colonel William Lambton (1756–1823)
William Havell · 1822 · Royal Asiatic Society of Great Britain and Ireland




