“This painting offers a serene glimpse into an imagined classical past, where figures relax by an ancient Roman fountain, bathed in soft, inviting light.”
In this idyllic scene, William Havell transports us to a tranquil corner of ancient Rome, where figures gather around a classical fountain. The light here is soft and diffused, highlighting the warm tones of the architecture and the gentle greens of the surrounding foliage. It's a vision of pastoral harmony, where human activity blends seamlessly with the natural world, evoking a sense of timeless peace. The painting, completed in 1840, reflects a longing for classical ideals and picturesque landscapes that was popular in the early 19th century. Havell had travelled to Italy in 1827, and his experiences there clearly informed his later works, like this one, which often featured Italian subjects.
- Artist
- William Havell
- Date
- 1840
- Medium
- Oil on canvas
- Location
- Reading Museum
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the light catches the water spilling from the fountain's basin.
The relaxed poses of the figures, suggesting a leisurely moment.
The detailed classical architecture of the fountain itself.
The variety of trees and plants creating a lush, verdant backdrop.
Stand in front of it and listen
The full narration walks you through Figures at an Arcadian Fountain (Fountain of Egeria) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Havell
1782–1857 · Kingdom of Great BritainWilliam Havell, a founding member of the Society of Painters in Watercolours, captured the dramatic landscapes of Wales and the Lake District before embarking on a global journey.
Further Works by Havell
Indian Army Officer
1822 · Reading Museum
Temple of Paestum, Italy
1830 · Reading Museum
Tivoli, Italy
1830 · Reading Museum
Landscape with Peasants and Cattle
Reading Museum
Cilgerran Castle
1805 · National Museum Cardiff
Yachts of the Cumberland Society Racing on the Thames, circa 1815
1815 · Royal Museums Greenwich
Woodcutters at Park Place, Henley, the River Thames Beyond
1821 · The Metropolitan Museum of Art
Lieutenant Colonel William Lambton (1756–1823)
1822 · Royal Asiatic Society of Great Britain and Ireland
More works to explore
Beyond Havell: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
