“This pen and ink drawing by Henri Matisse offers an intimate glimpse of a female nude, her form rendered with exceptional fluidity and precision. It’s a testament to the power of line to convey both volume and emotion.”
A lone figure, a female nude, lies facedown on a table, her form rendered with a remarkable economy of line. Henri Matisse’s pen and ink drawing from 1911 captures a moment of quiet introspection, or perhaps exhaustion, the model’s head turned away, obscuring her face. The simplicity of the composition belies a confident hand, with fluid, continuous lines defining the body and the contours of the table. Notice the interplay of delicate curves and sharper angles, particularly in the way the spine and buttocks are suggested. This work, created during a period when the artist was exploring flattened forms and decorative patterns in his painting, demonstrates his ongoing engagement with the human figure through the directness of drawing. The subtle variations in line weight create a sense of volume and shadow, even without color, inviting a close look at the artist's masterful draughtsmanship.
- Artist
- Henri Matisse
- Date
- 1911
- Medium
- Pen and black ink on tan wove paper, laid down on cream Japanese paper
- Location
- Art Institute of Chicago
- Dimensions
- Primary support: 24 × 31.5 cm (9 1/2 × 12 7/16 in.); Secondary support: 26.1 × 33.5 cm (10 5/16 × 13 1/4 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Alfred Stieglitz Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The single, continuous line forming the model's back and arm.
The way the figure's right leg extends beyond the table's edge.
The precise, almost calligraphic lines defining the table legs.
The subtle shading achieved through varying line thickness.
Stand in front of it and listen
The full narration walks you through Female Nude Lying Facedown on a Table — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Henri Matisse
1869–1954 · FranceHenri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.
Further Works by Matisse
Still Life with Geranium
1906 · Art Institute of Chicago
Bathers by a River
1909 · Art Institute of Chicago
Apples
1916 · Art Institute of Chicago
Laurette with a Cup of Coffee
1916 · Art Institute of Chicago
Interior at Nice
1919 · Art Institute of Chicago
Woman before an Aquarium
1921 · Art Institute of Chicago
Woman on Rose Divan
1921 · Art Institute of Chicago
Lemons on a Pewter Plate
1926 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Female Nude Lying Facedown on a Table belongs to.
Same movement · Fauvism
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Impressionism
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1890s–1920s
Streetcar
Mikhail Larionov · 1911 · Bashkir State Art Museum (Nesterov Museum)
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1890s–1920s
Blue Girl in the Sun
Ernst Ludwig Kirchner · 1910
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same movement · Neo-Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same movement · Impressionism
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
