Avenue of Pollard Birches and Poplars by Vincent van Gogh

Avenue of Pollard Birches and Poplars

Vincent van Gogh · 1884

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“Stop to appreciate this evocative drawing, where the aging ink and tan paper create a uniquely melancholic atmosphere, perhaps inspired by a poem about grief and a desolate tree-lined path.”

ABOUT THIS WORK

A long, somber avenue of trees stretches into the distance, their branches stark and bare, creating a powerful sense of melancholy. This drawing, made in 1884, seems to draw inspiration from François Coppée’s poem “Tristement,” which describes a grieving widow walking down a similar lane of “half-denuded plane trees.” The artist used reed pen and iron-gall ink on tan laid paper, and over time, the ink has shifted from black to a deep brown, lending a golden, autumnal warmth to the paper. This chemical change has also caused the close hatchings to bleed and merge, softening the contrasts and further enhancing the work’s muted, sorrowful atmosphere. The scene captures a quiet, introspective moment, inviting contemplation of loss and the passage of time.

DETAILS
Artist
Vincent van Gogh
Date
1884
Medium
Reed pen and iron-gall ink on tan laid paper
Location
Art Institute of Chicago
Dimensions
19.2 × 26.5 cm (7 9/16 × 10 7/16 in.)
Collection
Prints and Drawings
Culture
Netherlands
Credit line
Gift of Richard and Mary L. Gray
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Avenue of Pollard Birches and Poplars
01

The way the ink has bled, softening the lines and contrasts.

02

The subtle golden tone of the paper, enhanced by the aged ink.

03

The repetitive, rhythmic pattern of the pollard birches and poplars.

04

The solitary figure in the distance, adding to the melancholic mood.

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THE ARTIST

Vincent van Gogh

1853–1890 · Kingdom of the Netherlands

Vincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.

Read van Gogh’s full story
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Beyond van Gogh and Expressionism: works from the same years, and from the other movements Avenue of Pollard Birches and Poplars belongs to.

Albert (René) Grenier (1858–1925) Same movement · Post-Impressionism Albert (René) Grenier (1858–1925) Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art A Sunday on La Grande Jatte — 1884 Same era · 1860s–1890s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Seine at Pont de Grenelle Same movement · Post-Impressionism The Seine at Pont de Grenelle Paul Gauguin · 1875 · Wallraf–Richartz Museum Madame Léon Clapisson Same era · 1860s–1890s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago Gustave Boyer (b. 1840) in a Straw Hat Same movement · Post-Impressionism Gustave Boyer (b. 1840) in a Straw Hat Paul Cézanne · 1870 · The Metropolitan Museum of Art Paris Street; Rainy Day Same era · 1860s–1890s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston An Orchard under the Church of Bihorel Same era · 1860s–1890s An Orchard under the Church of Bihorel Paul Gauguin · 1884 · Thyssen-Bornemisza Museum
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